Barking at the Moon


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TEV DEFINED


  • The Elegant Variation is "Fowler’s (1926, 1965) term for the inept writer’s overstrained efforts at freshness or vividness of expression. Prose guilty of elegant variation calls attention to itself and doesn’t permit its ideas to seem naturally clear. It typically seeks fancy new words for familiar things, and it scrambles for synonyms in order to avoid at all costs repeating a word, even though repetition might be the natural, normal thing to do: The audience had a certain bovine placidity, instead of The audience was as placid as cows. Elegant variation is often the rock, and a stereotype, a cliché, or a tired metaphor the hard place between which inexperienced or foolish writers come to grief. The familiar middle ground in treating these homely topics is almost always the safest. In untrained or unrestrained hands, a thesaurus can be dangerous."

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April 29, 2005

SAFRAN FOER V. STEFAN LeFORS

Stefan LeFors was the 121st pick in the NFL draft. Safran Foer’s latest novel is ranked 15 on the New York Times bestseller list and 80 on Amazon.com.

Safran Foer grew up in Washington, D.C., and attended Princeton University, where he won the Creative Writing Thesis prize four years in a row. Stefan LeFors was born in Baton Rouge, Louisiana, and attended the University of Louisville, where he was named first team All-Conference USA his junior year.

Stefan LeFors was the quarterback of the Louisville Cardinals. Safran Foer edited A Convergence of Birds, an anthology of new fiction and poetry inspired by Joseph Cornell's bird boxes.

Safran Foer has never thrown for 2,596 yards with 20 touchdowns in a single season. Stefan LeFors has never written a 368-page novel.

Safran Foer’s newest book is Extremely Loud and Incredibly Close. Stefan LeFors parents and older brother are deaf. The cover of Safran Foer’s book features a hand decorated with words. Stefan LeFors uses his hands to communicate with his family.

Safran Foer on writing a bestseller: “I was a half a degree from never publishing my book. I just got a great ride. I got really lucky. I kind of hit the lottery.” Stefan LeFors on being selected by the Carolina Panthers: "I never have any questions in my mind at all. I have full confidence. It's all mental."

In December 2004 Stefan LeFors fumbled a snap in the Orange Bowl that led to a Miami score and, ultimately, a loss for the Cardinals, ending of a perfect season. On February 27, 2005, Safran Foer was featured in a New York Times profile penned by Deborah Solomon. Neither gaffe appears to have negatively impacted their careers.


DON’T. LOOK. NOW.

Uh-oh. Vermin on the Mount is live and on the Internet.

DO NOT RESUSCITATE

Since this story won’t go die (sorry), I thought I’d share this Iowa alum’s frank and uncharitable opinion of Frank Conroy:

“He was a self-mythologizing and pitiful specimen. I like to reserve my wishes for death for the president and his cabinet, but contrary to everyone’s hard love whining, it is no loss whatsoever, either to humanity or American letters.”

Harsh? Sure, but isn’t it somewhat unflattering to describe a professional educator as a “pool shark” in their obituary?

HARTY & ORRINGER TOGETHER AGAIN FOR THE FIRST TIME

If I wasn’t going to be doing some serious yeti hunting in the Guadalupe Valley this weekend, I’d be at the Hammer Museum to check out Ryan Harty and Julie Orringer. Benjamin Weissman’s New American Writing is one of the finest reading series in the city.

Hammer Museum
10899 Wilshire Blvd, Westwood.
Sunday May 1, at 5 p.m.
(310) 443-7000

I GUESS TAKING A SHIT IN THE STACKS IS OUT OF THE QUESTION

The Houston city council, that bastion of tolerance and equanimity, is making it illegal to stink in the library. Sadly, this isn’t the beginning of the end for Ann Coulter and Tim LaHaye. The Houston city council members have set their sites much lower. Clearly this unenforceable bit of nonsense is an attack on the homeless, the semi-homeless and the English. I have grudging admiration for crackpot rules that seemingly aim for one purpose and achieve another, but this plan is as subtle as a brick through a bay window.

In the planned community in Arizona where my brother used to live, civic planners tried to make it illegal to not own a gun. Sound crazy? Not by half. The logic was actually quite shrewd. If you’re a felon you can’t own a gun in Arizona. So the law was a way to keep criminals out of the community. Thankfully, it was struck down. But before you go praising the Arizona senate, keep in mind that they just signed off on a bill that makes it okay for citizens to carry concealed weapons into bars and nightclubs as long as you aren’t drinking. Personally, I don’t think this is such a hot idea.

Several years ago, I narrowly missed getting in the middle of a gunfight at a pool hall in East Flagstaff. It was not a nice place (although the homeless person at the bar offered me a slice of the canned ham he was sawing away at with a buck knife), but I was there on a date. (I can no longer remember whose idea it was to go there. If it was me: I’m sorry; if it was you: Typical.) What made the night so memorable was the gentleman who tried to recruit me into his neo-Nazi organization in Idaho. I declined the invitation after he flashed his holstered .45. While we were talking, he pinched a woman’s ass to show me that he wasn’t gay, I guess. The woman’s boyfriend shouted something like, “I should shoot your dumb ass” and I wondered when it was appropriate to hit the deck. A recap: In favor of taking guns away from neo-Nazis and letting bums read the paper. Look at me, I’m an activist.

April 28, 2005

LANCE LANCE REVOLUTION

Greetings lit-nerds and nerdettes and a glorious Thursday morning to you. What the Elegant One didn't tell you before he cycled off into the sunset, so to speak, is that the true purpose of his visit to New York is to peddle (ahem) his spinning memoir. In fact it wouldn't surprise me at all if at this very moment he's munchng on a ultra-oat-bar while snapping at the elastic of a super-tight pair of bike shorts. I've been poking aound TEV HQ and found some disturbing documents: IMs to Olympic officials insisting spinning is a sport, long drunken missives to Lance Armstrong, and a series of e-mails wherein he attempts to convince Tanenhaus to name him Deputy Editor of Spokes: The Literary Magazine for the Stationary Cycling Enthusiast. And I shudder to think of the contents of a folder in his photo album that bears the title "Sweaty Seats." Apparently all the "performance" "enhancing" "drugs" Sarvas has been taking has sent the last remaining wit that orbits what passes for his intellect into the coldest reaches of his cranium, causing him to conflate Thursday with Friday. So no posts today, but we have some interesting revelations in store for you tomorrow.

April 27, 2005

OUTTA HERE

We barely got it together to make it out of here in time, so we're leaving with this somewhat indiscriminate spraying of literary links ... if you seek more considered commentary (and we wouldn't blame you), visit our fine feathered friends to the left, or stop back tomorrow for a new guest review or Friday for guest host Jim Ruland ... Failing that, we'll be back to harrass Steve Wasserman on Monday ...

Ben Ehrenreich, who shared the stage with us Saturday night, doesn't think much of Jeanette Winterson's latest novel ... the new issue of January Magazine has an excerpt of the young James Bond adventure ... JLo keeps the world of letters safe for now ... Hitchhiker hype is reaching critical mass ... and finally, whither Cupcake ... we hardly knew ye ...

GUEST REVIEW: DANGEROUS GAMES

A busy day full of meetings today but guest reviewer Daniel Olivas steps in to save the day ... Don't forget to check back tomorrow when Jim Ruland takes command of the bridge and steers this ship into all sort of trouble ...

Dangerous Games
By John Shannon
Carroll & Graff
248 pp.
$25.00

REVIEWED BY DANIEL OLIVAS

Because of its sheer size, Los Angeles can be many things to different people. The city boasts some of most spectacular beaches and breathtaking mountains. It is also the home of celluloid dreams: Bogart and Bacall; Capra and Coppola; the Grauman’s Chinese Theatre and Oscar. And L.A. is the ultimate melting pot, a magnet for those who wish to make better lives for themselves whether fleeing a struggling economy in Detroit or political persecution in Central America. But if we pull back the curtain just a bit, we can view the darker side of Los Angeles. The coast is being held hostage by a few wealthy homeowners who wish to keep the great unwashed far from “their” hard-earned beaches. When summer comes, the dried-out mountains and hills become so much kindling for arsonists. In Hollywood’s backyard, the porn industry makes its home in the Valley amidst middle class tract homes, Ventura Boulevard businesses, churches and temples. And cracks show in the melting pot: the streets are teeming with gangs, jaded cops, and people afraid to venture into “different” neighborhoods. All of it is true: the good and the bad co-exist allowing us to feel both at home and apprehensive at the same moment. In other words, this is the perfect setting for novelist John Shannon to allow Jack Liffey, finder of lost children, to get into fresh trouble.

Js_1 When we last saw Liffey, he had found the perpetrator of various crimes of vengeance arising from the racist history of Terminal Island, been dumped by his new girlfriend, survived a collapsed lung and renewed his relationship with his teenage daughter, Maeve. Liffey also fell for a police officer named Gloria Ramirez, a Native American who was raised by Latino parents who taught her to hate her own heritage. Dangerous Games begins with Liffey living in East L.A. with Ramirez; his moody daughter is delighted with Ramirez and hopes her father won’t mess this one up. But Liffey’s relationship leads inexorably to a new search for a lost child: Ramirez’s beautiful 18-year-old niece has disappeared from her tiny reservation in the Owens Valley leaving enough clues to make everyone suspect that she’s been swallowed up by L.A.’s porn scene. Liffey feels up to the task.

If it were left at that, our hero would have more than enough to occupy him. But during one clear day while Liffey waters his girlfriend’s lawn and Maeve lounges alongside chatting with her father, a gangbanger loses control and shoots indiscriminately in Liffey’s direction leaving Maeve severely wounded. As Maeve recuperates, Liffey adds a new mission to his list: revenge. His subsequent confrontation of the perpetrator and eventual solution is one of the most surprising and fulfilling aspects of the narrative. But there is still a lost child to find. And this is where things get ugly as we’re thrown into the world of phone sex, porn films, dangerous reality videos, AIDS and very violent men who truly believe that women are meant to be controlled and used in any way imaginable.

Throughout, we’re treated to Shannon’s smart dialogue, complex characters and a thrill ride of action. The denouement takes place in the Malibu Hills, set ablaze by reality “filmmakers” as their ultimate get-rich-quick venture. As Liffey and others try to outrun the flames, Liffey muses on all the failures in his life and wonders about the meaning of it all. There are wonderful things in life to be certain: the love of both his girlfriend and his resilient, brilliant daughter. But all the mistakes are there too: failed relationships, a battle with alcohol, physical scars too many to count. In Shannon’s sure hands, we see the world through the eyes of a man who struggles to reconcile life’s joy and pain shaped in large part by Los Angeles itself. Shannon offers more questions than answers. But that’s okay. Finely-crafted novels do that. And this is certainly one of Shannon’s best.

Daniel Olivas is a writer living in Los Angeles.

April 26, 2005

OPERATORS ARE STANDING BY

Before we get to the literary news, a few bits of housekeeping.  Thanks very much to all of you who wrote in about our Vermin on the Mount appearance and our Festival of Books coverage ... If you haven't heard back directly from us yet, we're still digging out from underneath all the rubble.

Unfortunately, the rubble will remain pretty thick for the next few days.  We're off to NYC on Wednesday morning ... Among other things, we'll be meeting with Sam Tanenhaus at last, and we'd love to have some of your thoughts and questions in hand ... If there's anything you think we absolutely have to ask Mr. T, please note it in the comments box below.

Additionally, we begin something of an adventure this morning.  We were recently invited to come in and teach an eight-week class in short story writing for a group of at-risk boys in the juvenile detention system ... We teach our first class this morning and we're very excited and slightly terrified at the thought.  We think there's a graduation style reading in one of the bookstores around town at the end of the eight weeks, so stay tuned.

Our verminous pal Jim Ruland (who gave us a much-needed crash course on teaching) has kindly consented to take the reins of TEV on Friday while we're off in rainier climes, so please do stop by and see what evil weirdness he has up his sleeve.

MAHFOUZ PUBLISHER DIES

Donald Herdeck, the man who founded Three Continents Press and brought the works of Naguib Mahfouz and Derek Walcott to America, has died.

Despite scant critical attention and little commercial demand, Herdeck had published Mahfouz's works in small editions since the 1970s. But the Nobel proved to be a mixed blessing for Three Continents, which had just one employee besides Herdeck.

The entire stock of Mahfouz's novels, translated into English from Arabic, sold out in one day, and it would take weeks to reprint them. Herdeck received a call from an angry bookseller, who scolded him for being "a terrible businessman."

He recounted the conversation to The Washington Post's David Streitfeld: " 'Here you have this wonderful Nobel Prize winner, this wonderful author, and you don't have copies of his books! What's wrong with you?'

"Herdeck responded with something like this: 'And where have you been for the last 12 years, when we had thousands of these books sitting in our warehouse and they sold only in trickles? What was wrong with you?' "

RECOMMENDED

  • Nobility of Spirit: A Forgotten Ideal by Rob Riemen

    Nos

    This slim volume by the president and founder of the Nexus Institute, a European-based humanist think-tank, stands as the most stirring redoubt against the ascendant forces of know-nothingness that we've come across in a long time. A full-throated, unapologetic defense of the virtues of Western Civ – in which "elite" is not and never should be a dirty word – this inspiring exploration of high art and high ideals is divided into three sections: The first looks at the life of Riemen's great hero Thomas Mann as a model for the examined life. The second imagines a series of conversations from turning points in European intellectual history, populated with the likes of Socrates, Nietzsche and others. The final section, "Be Brave," is nothing less than an exhortation to dig deep, especially in times of risk. The notion of nobility of the spirit might strike some modern ears as quaint but it seems more desperately necessary than ever before, and there are worse ways to read the accessible Nobility of Spirit than as a crash refresher in the Great Thinkers, free of academic jargon and cant. As a meditation on what is at stake when the pursuit of high ideals is elbowed aside by the pursuit of fleeting material gain, however, Nobility of Spirit might well be the most prescient book we've yet read on what's at stake in the current election cycle and in the developing global situation. Agree or disagree with Riemen's profound, ambitious and high-minded plea, you will be thinking about his words for a long time. It's been ages since a work of non-fiction moved us this way. Read it. Discuss it. Argue about it.
  • Netherland by Joseph O'Neill

    Netherland_2

    With rave reviews from James Wood, Michiko Kakutani and Dwight Garner, it might not seem like we need to tell you to drop everything and go read Netherland, but we are telling you, and here's why: The way book coverage works these days, everyone talks about the same book for about two or three weeks, and then they move on and the book is more or less forgotten. Whereas a berth here in the Recommended sidebar keeps noteworthy titles in view for a good, long time, which is the sort of sustained attention this marvelous novel deserves. A Gatsby-like meditation on exclusion and otherness, it's an unforgettable New York story in which the post 9/11 lives of Hans, a Dutch banker estranged from his English wife, and Chuck Ramkissoon, a mysterious cricket entrepreneur, intertwine. The New York City of the immigrant margins is unforgettably invoked in gorgeous, precise prose, and the novel's luminous conclusion is a radiant beacon illuminating one of our essential questions, the question of belonging. Our strongest possible recommendation.
  • Dictation: A Quartet by Cynthia Ozick

    Dictation

    "History," wrote Henry James in a 1910 letter to his amanuensis Theodora Bosanquet, "is strangely written." This casual aside could easily serve as the epigraph of Cynthia Ozick's superb new collection Dictation, which concerns itself with lost worlds evoked by languages -- languages which separate and obscure as readily as they bind. It can be risky to look for connective tissue between stories written years apart and published in magazines ranging from The Conradian to The New Yorker. But themes of deception, posterity, and above all, the glory of language -- at once malleable and intractable -- knit together this quartet, recasting the whole as the harmonious product of Ozick's formidable talent. Read the entire review here

  • Diary of a Bad Year by J. M. Coetzee

    Yr

    Now, on the one hand, you scarcely need us to alert you to the existence of a new J.M. Coetzee novel, or even to have us tell you it's worth reading. But we can tell you - we insist on telling you that Diary of a Bad Year is a triumph, easily Coetzee's most affecting and fully wrought work since Disgrace. Formally inventive, the book intertwines two narratives with the author's own Strong Opinions, a series of seemingly discrete philosophical and political essays. The cumulative effect of this strange trio is deeply moving and thought provoking. It's increasingly rare in this thoroughly post-post-modern age to raise the kind of questions in fiction Coetzee handles so masterfully - right down to what is it, exactly, that we expect (or need) from our novels. It's telling that, for all of his serious pronouncements on subjects ranging from censorship to pedophilia to the use of torture, it's finally a few pages from The Brothers Karamazov that brings him to tears. Moving, wise and - how's this for a surprise - funny and lightly self-mocking, Diary of a Bad Year might well be the book of the year and Coetzee is surely our essential novelist. We haven't stopped thinking about it since we set it down.
  • The Indian Clerk by David Leavitt

    Tic_2

    David Leavitt's magnificent new novel tells the story of the unlikely friendship between the British mathematician G.H. Hardy and Srinivasa Ramanujan, mathematical autodidact and prodigy who had been working as a clerk in Madras, and who would turn out to be one of the great mathematical minds of the century. Ramanujan reluctantly joined Hardy in England - a move that would ultimately prove to his detriment - and the men set to work on proving the Riemann Hypothesis, one of mathematics' great unsolved problems. The Indian Clerk, an epic and elegant work which spans continents and decades, encompasses a World War, and boasts a cast of characters that includes Bertrand Russell, Ludwig Wittgenstein and Lytton Strachey. Leavitt renders the complex mathematics in a manner that resonates emotionally as well as intellectually, and writes with crystalline elegance. The metaphor of the prime number – divisible only by one and itself – is beautifully apt for this tale of these two isolated geniuses. Leavitt's control of this dense, sprawling material is impressive – astonishing, at times – and yet despite its scope, he keeps us focused on his great themes of unknowability and identity. The Indian Clerk might be set in the past but it doesn't resemble most so-called "historical fiction." Rather, it's an ageless meditation on the quests for knowledge and for the self – and how frequently the two are intertwined – that is, finally, as timeless as the music of the primes. (View our full week of coverage here.)
  • Then We Came to the End by Joshua Ferris

    Jf

    Joshua Ferris' warm and funny debut novel is an antidote to the sneering likes of The Office and Max Barry's Company. Treating his characters with both affection and respect, Ferris takes us into a Chicago ad agency at the onset of the dot-bomb. Careers are in jeopardy, nerves are frayed and petty turf wars are fought. But there are bigger stakes in the balance, and Ferris' weirdly indeterminate point of view that's mostly first person plural, underscores the shared humanity of everyone who has ever had to sit behind a desk. It's a luminous, affecting debut and you can read the first chapter right here.
  • Christine Falls by Benjamin Black

    Cf

    Coming to these shores at last, John Banville's thriller, written under the nom de plume Benjamin Black, has drawn rave reviews across the pond since it first appeared last October. Those who feared Banville might turn in an overly literary effort needn't worry. Influenced by Simenon's romans durs (hard stories), Banville unspools a dark mystery set in 1950s Dublin concerning itself with, among other things, the church's trade in orphans. At the heart of the book is the coroner Quirke, a Banvillean creation on par with Alex Cleave and Freddie Montgomery. Dublin is rendered with a damp, creaky specificity – you can almost taste the whisky.
  • The Paris Review Interviews, I by The Paris Review and Philip Gourevitch

    Pri

    Scanning our Recommended selections, one might conclude we're addicted to interviews, and one would be correct. If author interviews are like crack to us, then the Paris Review author interviews must surely be the gold standard of crack (a comparison Plimpton might not have embraced). The newly issued The Paris Review Interviews, Volume I (Picador) rolls out the heavy hitters. Who can possibly turn away from the likes of Saul Bellow, T.S. Eliot, Ernest Hemingway, Jorge Luis Borges, Dorothy Parker, Robert Gottlieb and others? The interviews are formal and thoughtful but never dry and can replace any dozen "how-to" books on writing. What can be more comforting than hearing Bellow, answering a question on preparations and conception, admit "Well, I don't know exactly how it's done.” The best part of this collection? The "Volume I" in the title, with its promise of more volumes to come.
  • Above Paris

    Ap_3

    See, we’re not all literary fiction here. Princeton Architectural Press’s absolutely breathtaking Above Paris is very much the kind of thing we’re eager to bring to your attention. Between 1950 and 1972, pilot and photographer Roger Henrard recorded more than 350 images of Paris from the seat of a single-engine Piper cub, documenting Paris from its outskirts to its center. His photographs show not only Paris's famous landmarks - they also give you a sense of the way the city is interconnected: the tight-knit medieval districts as well as the expansive geometry of the grand boulevards. Maps at the beginning of each chapter and fine captions and essays by Jean-Louis Cohen help you navigate the City of Light as never before. Just glorious.
  • The Dead Fish Museum: Stories by Charles D'Ambrosio

    Dfm

    The best short story collection we've read since ... well, certainly since we've started this blog. And we might even say "ever" if Dubliners didn't cast such a long shadow. The short story is not our preferred form but D'Ambrosio's eight brilliant stories are almost enough to convert us. Defy the conventional wisdom that short story collections don't sell and treat yourself to this marvel. (We're especially partial, naturally, to "Screenwriter".)
  • The Mystery Guest by Grégoire Bouillier
    *Now in Paperback*

    Mg

    What would you do if the woman who’d left you high and dry ten years ago called out of the blue to invite you to a party without any further explanation? If you’re French, you’d probably spend a lot of time pondering the Deeper Significance Of It All, which is exactly what Grégoire Bouillier does for the 120 hilarious pages of The Mystery Guest. This slim, witty memoir follows Bouillier through the party from hell, and is a case study in Gallic self-abasement. Before it’s all done, you’ll set fire to any turtleneck hanging in your closet and think twice before buying an expensive Bordeaux as a gift. But fear not – just when it seems that all is, indeed, random and pointless and there is no Deeper Significance, salvation arrives in the unlikely form of Virginia Woolf, and the tale ends on a note of unforced optimism. Parfait.
  • Ticknor by Sheila Heti

    Ticknor

    When George Ticknor's Life of William Hickling Prescott was published in 1864, it received rapturous notices, and reviewers were quick to point out that the long-standing friendship between Prescott and Ticknor made the latter an ideal Boswell. Sheila Heti has pulled this obscure leaf from the literary archives and fashioned a mordantly funny anti-history; a pungent and hilarious study of bitterness and promise unfulfilled. As a fretful Ticknor navigates his way through the rain-soaked streets of Boston to Prescott's house ("But I am not a late man. I hate to be late."), he recalls his decidedly one-sided lifelong friendship with his great subject. Unlike the real-life Ticknor, this one is an embittered also-ran, full of plans and intentions never realized, always alive to the fashionable whispers behind his back. Heti seamlessly inhabits Ticknor's fussy 19th-century diction with a feat of virtuoso ventriloquism that puts one in mind of The Remains of the Day. Heti's Ticknor would be insufferable if he weren't so funny, and in the end, the black humor brings a leavening poignancy to this brief tale. But don't let the size fool you — this 109-page first novel is small but scarcely slight; it is as dense and textured as a truffle.
  • The Believer Book of Writers Talking to Writers by Vendela Vida

    Bbk

    No, your eyes aren't deceiving you and yes, we are recommending a Believer product. Twenty-three interviews (a third presented for the first time) pairing the likes of Zadie Smith with Ian McEwan, Jonathan Lethem with Paul Auster, Edward P. Jones and ZZ Packer, and Adam Thirwell with Tom Stoppard make this collection a must-read. Lifted out of the context of some of the magazine's worst twee excesses, the interviews stand admirably on their own as largely thoughtful dialogues on craft. A handful of interviewers seem more interested in themselves than in their subjects but in the main this collection will prove irresistible to writers of any stripe - struggling or established - and to readers seeking a window into the creative process.
  • The Sea by John Banville

    Sea_1

    John Banville's latest novel returns him to the Booker Prize shortlist for the first time since 1989's The Book of Evidence. In The Sea, we find Banville in transition, moving from the icy, restrained narrators of The Untouchable, Eclipse and Shroud toward warmer climes. Max Morden has returned to the vacation spot of his youth as he grieves the death of his wife. Remembering his first, fatal love, Morden works to reconcile himself to his loss. Banville's trademark linguistic virtuosity is everpresent but some of the chilly control is relinquished and Max mourns and rages in ways that mark a new direction for Banville - and there's at least one great twist which you'll never see coming. Given the politicized nature of the British literary scene, Banville's shot at the prize might be hobbled by his controversial McEwan review but we're rooting for our longtime favorite to go all the way at last. UPDATE: Our man won!
  • Here Is Where We Meet by John Berger

    Berger

    We've been fans of Booker Prize winner John Berger for ages, and we're delighted to have received an early copy of his latest work, Here is Where We Meet. In this lovely, elliptical, melancholy "fictional memoir," Berger traverses European cities from Libson to Geneva to Islington, conversing with shades from his past – He encounters his dead mother on a Lisbon tram, a beloved mentor in a Krakow market. Along the way, we're treated to marvelous and occasionally heart-rending glimpses of an extraordinary life, a lyrical elegy to the 20th century from a man who - in his eighth decade - remains committed to his political beliefs and almost childlike in his openness to people, places and experiences. There's no conventional narrative here, and those seeking plot are advised to look elsewhere. But Here is Where We Meet offers a wise, moving and poetic look at the life of an artist traversing the European century from a novelist whose talent remains undimmed in his twilight years.
  • Home Land by Sam Lipsyte

    Slc

    In his recent TEV guest review of Home Land, Jim Ruland called Sam Lipsyte the "funniest writer of his generation," and we're quite inclined to agree.  We tore through Home Land in two joyful sittings and can't remember the last time we've laughed so hard.   Lipsyte's constellation of oddly sympathetic losers is rendered with a sparkling, inspired prose style that's sent us off in search of all his prior work. In Lewis Miner's (a.k.a Teabag) woeful epistolary dispatches to his high school alumni newsletter ("I did not pan out."), we find an anti-hero for the age.  Highly, highly recommended.

SECOND LOOK

  • The Bookshop by Penelope Fitzgerald

    Bs

    Penelope Fitzgerald's second novel is the tale of Florence Green, a widow who seeks, in the late 1950s, to bring a bookstore to an isolated British town, encountering all manner of obstacles, including incompetent builders, vindictive gentry, small minded bankers, an irritable poltergeist, but, above all, a town that might not, in fact, want a bookshop. Fitzgerald's prose is spare but evocative – there's no wasted effort and her work reminds one of Hemingway's dictum that every word should fight for its right to be on the page. Florence is an engaging creation, stubbornly committed to her plan even as uncertainty regarding the wisdom of the enterprise gnaws at her. But The Bookshop concerns itself, finally, with the astonishing vindictiveness of which provincials are capable, and, as so much English fiction must, it grapples with the inevitabilities of class. It's a dense marvel at 123 pages, a book you won't want to – or be able to – rush through.
  • The Rider by Tim Krabbe

    Rider_4

    Tim Krabbé's superb 1978 memoir-cum-novel is the single best book we've read about cycling, a book that will come closer to bringing you inside a grueling road race than anything else out there. A kilometer-by-kilometer look at just what is required to endure some of the most grueling terrain in the world, Krabbé explains the tactics, the choices and – above all – the grinding, endless, excruciating pain that every cyclist faces and makes it heart-pounding rather than expository or tedious. No writer has better captured both the agony and the determination to ride through the agony. He's an elegant stylist (ably served by Sam Garrett's fine translation) and The Rider manages to be that rarest hybrid – an authentic, accurate book about cycling that's a pleasure to read. "Non-racers," he writes. "The emptiness of those lives shocks me."

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