Barking at the Moon


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TEV DEFINED


  • The Elegant Variation is "Fowler’s (1926, 1965) term for the inept writer’s overstrained efforts at freshness or vividness of expression. Prose guilty of elegant variation calls attention to itself and doesn’t permit its ideas to seem naturally clear. It typically seeks fancy new words for familiar things, and it scrambles for synonyms in order to avoid at all costs repeating a word, even though repetition might be the natural, normal thing to do: The audience had a certain bovine placidity, instead of The audience was as placid as cows. Elegant variation is often the rock, and a stereotype, a cliché, or a tired metaphor the hard place between which inexperienced or foolish writers come to grief. The familiar middle ground in treating these homely topics is almost always the safest. In untrained or unrestrained hands, a thesaurus can be dangerous."

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May 23, 2008

SPECIAL TEV GIVEAWAY: CHARLES BUKOWSKI'S L.A.

BukThis one is a bit unusual, folks.  In honor of the upcoming BEA weekend, the gang at Esotouric is presenting, in cooperation with the landmark City Lights Bookstore, a special tour of Charles Bukowski's L.A.  "Haunts of A Dirty Old Man" will take a lucky TEV reader on this tour which

focuses on Bukowski’s great passions: writing, screwing and Los Angeles. We’ll take in the canonical locations of his life and myth: the Postal Annex Terminal where he gathered the material for “Post Office,” the De Longpre apartment where he briefly experimented with marriage and fatherhood, one of his favorite bars and liquor stores, and many other spots. Along the way, we’ll explore the people and ideas that made up the warp and weft of Buk’s rich inner life. This Esotouric bus adventure is hosted by Richard Schave.

"Haunts of a Dirty Old Man: Charles Bukowski's LA" spans Bukowski's personal city, from Skid Row to once-genteel Crown Hill, to Bukowski's favorite East Hollywood liquor store, the Pink Elephant. The tour also includes a stop at one of several bars notorious as Bukowski haunts.

In addition, the lucky attendee will also receive a free Bukbird beer coaster featuring Tony Millionaire's cartoon bluebird character, and a very special gift from City Lights Books, a pre-release copy of their Charles Bukowski anthology "Portions from a Wine-Stained Notebook: Uncollected Stories and Essays, 1944 - 1990." "Portions," to be published in September 2008, gathers many essential, uncollected pieces including his first and last short stories, and his first "Notes of a Dirty Old Man" column. Many of the writings have only appeared in 'zines, newspapers, chapbooks, and magazines.  Additionally, "Bukowski - Born Into This" director John Dullaghan will be on the bus.

The tour is a $55 value and, for obvious reasons, you need to be in L.A. on Saturday, May 31 to collect.  But if you're interested, please drop an email with the subject line "TO ALL MY FRIENDS" and include your full name, please.  Previous winners may participate in this one, and we'll take all entries until 8 p.m. PST at which time the Random Number Generator will pick a lucky winner.

UPDATE: Congratulations to Juanita Poareo, who will be going on the Buk tour!

December 20, 2006

SAD NEWS

L.A. Observed reports the terribly sad news - Duttons Beverly Hills is closing after two disappointing years in the land of facelifts and Range Rovers.  Like Murder Ink in NY, the store will be shuttered December 31.

May 15, 2006

KAUFMAN, PYNCHON, ERICKSON - IS THIS REALLY THE LA TIMES?

David Ulin makes an awfully convincing argument that Charlie Kaufman is the best writer of his generation in West, the L.A. Times weekend magazine. Not only is Ulin doing great work for the Sunday Book Review (this week's edition features reviews by Emily Barton and Ben Ehrenreich), but his fascinating homage to Kaufman is uber literary fare for Sunday morning. Pynchon, Erickson, Lethem, Saunders and Kipen are either addressed or interviewed for the piece. What's next bagels with Bataille?

May 04, 2006

THE COOL KIDS

The LA Weekly takes a look at the Los Angeles literary salon scene.

Here in L.A. the literary scene has equal parts Hollywood glamour and Eastside edge. Besides its literary magazines (Swink, Black Clock, The Los Angeles Review) and smaller indie presses and imprints, there are also a dozen regular literary salons and another half-dozen not-so-regular salons, many of which come with a heavy dose of industry participation on both sides of the stage.

March 10, 2006

LOS ANGELES TIMES BOOK PRIZES

The finalists for the 2005 Los Angeles Times Book Prizes can be found here

Of particular note is the nomination of Garner for the First Fiction Award.  We are entirely confident that without its LBC attention, Garner - a tiny book from a tiny independent press - would surely not have made this list.  So to all the journalists who have asked what kind of a difference can LBC make, there's your answer.  It's about bringing attention to titles - the rest is up to you.

March 03, 2006

OSCAR NIGHT

We haven't watched the Oscars in years (it's a great night to eat out) but Ed's invited us to opine at his Oscar Blog, so we'll be there.  We've already weighed in with screenwriting predictions.

March 02, 2006

THIS JUST IN - FOUR BOOKSTORE, EIGHT HOURS, FOUR HUNDRED ROAD MILES

In an exclusive over at L.A. Observed, David Kipen will be blogging about his daylong journey from San Francisco to Book Soup.  Promises to be entertaining.  Check it out, if only for the fact that they got a much better picture of Mr. Kipen than we did ...

Even the Director of Literature at the National Endowment for the Arts has to hit the road if he wants to sell books. And it is Oscar week, after all. So David Kipen, the former Book Editor of the San Francisco Chronicle and couch-sitter on "The Today Show," will begin later this morning at KQED in San Francisco and end up—four book signings and four hundred miles later—at Book Soup in West Hollywood at 7 pm. Along the way, the author of The Schreiber Theory: A Radical Rewrite of American Film History will post his bookstore-and-highway observations exclusively here at LA Observed. Kipen is the first guest-blogger ever at LAO, so we're keeping the rules simple: he can say whatever he wants, unedited and unfiltered (because we know where to find him.) His dispatches are due to begin arriving some time after 11 am. Stay tuned, as they say.

Oh, by the way David, we've done that drive in five and a half hours ...

February 27, 2006

OTIS CHANDLER DIES

Otis Chandler, who presided over the Los Angeles Times' renaissance, has died.  So that's three ...

Born to a life of privilege and ultraconservative political ideals, Mr. Chandler was handed the reins of the newspaper in 1960, carrying with him a reputation as a ruggedly handsome golden boy with a preference for body-building over journalism. But he shed that image as publisher and promptly angered family members and local Republicans by shifting The Los Angeles Times from its right-wing viewpoint to a more centrist outlook that reflected California's increasing racial, ethnic and political diversity.

Under his leadership, the newspaper hired talented journalists, opened new bureaus throughout the world and garnered numerous awards. Mr. Chandler also distinguished himself as an empire-builder, expanding the Times Mirror Company, the parent corporation of The Los Angeles Times, by purchasing Newsday, The Baltimore Sun, The Hartford Courant, several broadcast television and cable stations and two highly regarded book publishers, New American Library and Harry Abrams Publishing.

Needless to say, L.A. Observed is already all over it.

January 13, 2006

LAT TO LAUNCH "WEST"

The Los Angeles Times Magazine is going to be replaced on February 5 by West, a new publication which will include Amy Tan as its Literary Editor.

Acclaimed author Amy Tan has joined West magazine as literary editor. She will be responsible for helping to solicit and select pieces for "California Story," an original work of short fiction set in the Golden State. Tan, a native Californian, is the author of the best-selling "Saving Fish from Drowning" and "The Joy Luck Club." She also is the author of "The Hundred Secret Senses," "The Kitchen God's Wife," "The Bonesetter's Daughter," "The Opposite of Fate" and two children's books, one of which, "Sagwa, The Chinese Siamese Cat," was developed into a popular PBS children's television series. Tan is a member of the literary garage band, the Rock Bottom Remainders.

December 01, 2005

WASSERMAN LOOKS BACK

Sw_2 Steve Wasserman has contributed a thoughtful and detailed essay to Robert Scheer's website Truthdig.com in which he looks at the woes facing his alma mater the Los Angeles Times.   The gist - to simplify it inelegantly - is that the Tribune boys are in over their heads. 

None of this should surprise. After all, the men who control the paper’s fiscal destiny have never shown any particular commitment to Los Angeles, regarding it with all the unbridled avariciousness and ill-concealed contempt that Cortez displayed toward Montezuma and his benighted Aztecs. As a former high official of the paper recently told me, “You’ve no idea how fast these folks are strip-mining the place. They’ve already carted away millions of dollars. Their efforts to attract advertising and grow the business have come to nothing. They’re Midwestern white men obsessed with only two things: the Chicago Cubs and accounting. They care nothing for journalism. They are Philistines.”

When told of this judgment, Jim Squires said, “Philistines is perfect characterization for that crowd, only the Philistines as a group were smarter. You cannot imagine how intellectually inferior three of the last four chairman of Tribune Co. were.” He compared them to George Bush, remarking that they were “complete frauds as leaders and executives.” “Chicago,” he said, “is a street-smart town. Cops, crooks, restaurateurs, developers, writers—they are bold and wily. The business executives, on the other hand, are weak and moronic.”

Actually, this is the juiciest bit but there's quite a lot about the makeup of L.A. and the history of the paper that are worth your while if you care about whether this city has the newspaper it deserves.

RECOMMENDED

  • Netherland by Joseph O'Neill

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    With rave reviews from James Wood, Michiko Kakutani and Dwight Garner, it might not seem like we need to tell you to drop everything and go read Netherland, but we are telling you, and here's why: The way book coverage works these days, everyone talks about the same book for about two or three weeks, and then they move on and the book is more or less forgotten. Whereas a berth here in the Recommended sidebar keeps noteworthy titles in view for a good, long time, which is the sort of sustained attention this marvelous novel deserves. A Gatsby-like meditation on exclusion and otherness, it's an unforgettable New York story in which the post 9/11 lives of Hans, a Dutch banker estranged from his English wife, and Chuck Ramkissoon, a mysterious cricket entrepreneur, intertwine. The New York City of the immigrant margins is unforgettably invoked in gorgeous, precise prose, and the novel's luminous conclusion is a radiant beacon illuminating one of our essential questions, the question of belonging. Our strongest possible recommendation.
  • Dictation: A Quartet by Cynthia Ozick

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    "History," wrote Henry James in a 1910 letter to his amanuensis Theodora Bosanquet, "is strangely written." This casual aside could easily serve as the epigraph of Cynthia Ozick's superb new collection Dictation, which concerns itself with lost worlds evoked by languages -- languages which separate and obscure as readily as they bind. It can be risky to look for connective tissue between stories written years apart and published in magazines ranging from The Conradian to The New Yorker. But themes of deception, posterity, and above all, the glory of language -- at once malleable and intractable -- knit together this quartet, recasting the whole as the harmonious product of Ozick's formidable talent. Read the entire review here

  • Diary of a Bad Year by J. M. Coetzee

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    Now, on the one hand, you scarcely need us to alert you to the existence of a new J.M. Coetzee novel, or even to have us tell you it's worth reading. But we can tell you - we insist on telling you that Diary of a Bad Year is a triumph, easily Coetzee's most affecting and fully wrought work since Disgrace. Formally inventive, the book intertwines two narratives with the author's own Strong Opinions, a series of seemingly discrete philosophical and political essays. The cumulative effect of this strange trio is deeply moving and thought provoking. It's increasingly rare in this thoroughly post-post-modern age to raise the kind of questions in fiction Coetzee handles so masterfully - right down to what is it, exactly, that we expect (or need) from our novels. It's telling that, for all of his serious pronouncements on subjects ranging from censorship to pedophilia to the use of torture, it's finally a few pages from The Brothers Karamazov that brings him to tears. Moving, wise and - how's this for a surprise - funny and lightly self-mocking, Diary of a Bad Year might well be the book of the year and Coetzee is surely our essential novelist. We haven't stopped thinking about it since we set it down.
  • The Indian Clerk by David Leavitt

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    David Leavitt's magnificent new novel tells the story of the unlikely friendship between the British mathematician G.H. Hardy and Srinivasa Ramanujan, mathematical autodidact and prodigy who had been working as a clerk in Madras, and who would turn out to be one of the great mathematical minds of the century. Ramanujan reluctantly joined Hardy in England - a move that would ultimately prove to his detriment - and the men set to work on proving the Riemann Hypothesis, one of mathematics' great unsolved problems. The Indian Clerk, an epic and elegant work which spans continents and decades, encompasses a World War, and boasts a cast of characters that includes Bertrand Russell, Ludwig Wittgenstein and Lytton Strachey. Leavitt renders the complex mathematics in a manner that resonates emotionally as well as intellectually, and writes with crystalline elegance. The metaphor of the prime number – divisible only by one and itself – is beautifully apt for this tale of these two isolated geniuses. Leavitt's control of this dense, sprawling material is impressive – astonishing, at times – and yet despite its scope, he keeps us focused on his great themes of unknowability and identity. The Indian Clerk might be set in the past but it doesn't resemble most so-called "historical fiction." Rather, it's an ageless meditation on the quests for knowledge and for the self – and how frequently the two are intertwined – that is, finally, as timeless as the music of the primes. (View our full week of coverage here.)
  • Then We Came to the End by Joshua Ferris

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  • Christine Falls by Benjamin Black

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    Coming to these shores at last, John Banville's thriller, written under the nom de plume Benjamin Black, has drawn rave reviews across the pond since it first appeared last October. Those who feared Banville might turn in an overly literary effort needn't worry. Influenced by Simenon's romans durs (hard stories), Banville unspools a dark mystery set in 1950s Dublin concerning itself with, among other things, the church's trade in orphans. At the heart of the book is the coroner Quirke, a Banvillean creation on par with Alex Cleave and Freddie Montgomery. Dublin is rendered with a damp, creaky specificity – you can almost taste the whisky.
  • The Paris Review Interviews, I by The Paris Review and Philip Gourevitch

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    Scanning our Recommended selections, one might conclude we're addicted to interviews, and one would be correct. If author interviews are like crack to us, then the Paris Review author interviews must surely be the gold standard of crack (a comparison Plimpton might not have embraced). The newly issued The Paris Review Interviews, Volume I (Picador) rolls out the heavy hitters. Who can possibly turn away from the likes of Saul Bellow, T.S. Eliot, Ernest Hemingway, Jorge Luis Borges, Dorothy Parker, Robert Gottlieb and others? The interviews are formal and thoughtful but never dry and can replace any dozen "how-to" books on writing. What can be more comforting than hearing Bellow, answering a question on preparations and conception, admit "Well, I don't know exactly how it's done.” The best part of this collection? The "Volume I" in the title, with its promise of more volumes to come.
  • Above Paris

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  • The Dead Fish Museum: Stories by Charles D'Ambrosio

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  • The Mystery Guest by Grégoire Bouillier
    *Now in Paperback*

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    What would you do if the woman who’d left you high and dry ten years ago called out of the blue to invite you to a party without any further explanation? If you’re French, you’d probably spend a lot of time pondering the Deeper Significance Of It All, which is exactly what Grégoire Bouillier does for the 120 hilarious pages of The Mystery Guest. This slim, witty memoir follows Bouillier through the party from hell, and is a case study in Gallic self-abasement. Before it’s all done, you’ll set fire to any turtleneck hanging in your closet and think twice before buying an expensive Bordeaux as a gift. But fear not – just when it seems that all is, indeed, random and pointless and there is no Deeper Significance, salvation arrives in the unlikely form of Virginia Woolf, and the tale ends on a note of unforced optimism. Parfait.
  • Ticknor by Sheila Heti

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    When George Ticknor's Life of William Hickling Prescott was published in 1864, it received rapturous notices, and reviewers were quick to point out that the long-standing friendship between Prescott and Ticknor made the latter an ideal Boswell. Sheila Heti has pulled this obscure leaf from the literary archives and fashioned a mordantly funny anti-history; a pungent and hilarious study of bitterness and promise unfulfilled. As a fretful Ticknor navigates his way through the rain-soaked streets of Boston to Prescott's house ("But I am not a late man. I hate to be late."), he recalls his decidedly one-sided lifelong friendship with his great subject. Unlike the real-life Ticknor, this one is an embittered also-ran, full of plans and intentions never realized, always alive to the fashionable whispers behind his back. Heti seamlessly inhabits Ticknor's fussy 19th-century diction with a feat of virtuoso ventriloquism that puts one in mind of The Remains of the Day. Heti's Ticknor would be insufferable if he weren't so funny, and in the end, the black humor brings a leavening poignancy to this brief tale. But don't let the size fool you — this 109-page first novel is small but scarcely slight; it is as dense and textured as a truffle.
  • The Believer Book of Writers Talking to Writers by Vendela Vida

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    No, your eyes aren't deceiving you and yes, we are recommending a Believer product. Twenty-three interviews (a third presented for the first time) pairing the likes of Zadie Smith with Ian McEwan, Jonathan Lethem with Paul Auster, Edward P. Jones and ZZ Packer, and Adam Thirwell with Tom Stoppard make this collection a must-read. Lifted out of the context of some of the magazine's worst twee excesses, the interviews stand admirably on their own as largely thoughtful dialogues on craft. A handful of interviewers seem more interested in themselves than in their subjects but in the main this collection will prove irresistible to writers of any stripe - struggling or established - and to readers seeking a window into the creative process.
  • The Sea by John Banville

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    John Banville's latest novel returns him to the Booker Prize shortlist for the first time since 1989's The Book of Evidence. In The Sea, we find Banville in transition, moving from the icy, restrained narrators of The Untouchable, Eclipse and Shroud toward warmer climes. Max Morden has returned to the vacation spot of his youth as he grieves the death of his wife. Remembering his first, fatal love, Morden works to reconcile himself to his loss. Banville's trademark linguistic virtuosity is everpresent but some of the chilly control is relinquished and Max mourns and rages in ways that mark a new direction for Banville - and there's at least one great twist which you'll never see coming. Given the politicized nature of the British literary scene, Banville's shot at the prize might be hobbled by his controversial McEwan review but we're rooting for our longtime favorite to go all the way at last. UPDATE: Our man won!
  • Here Is Where We Meet by John Berger

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    We've been fans of Booker Prize winner John Berger for ages, and we're delighted to have received an early copy of his latest work, Here is Where We Meet. In this lovely, elliptical, melancholy "fictional memoir," Berger traverses European cities from Libson to Geneva to Islington, conversing with shades from his past – He encounters his dead mother on a Lisbon tram, a beloved mentor in a Krakow market. Along the way, we're treated to marvelous and occasionally heart-rending glimpses of an extraordinary life, a lyrical elegy to the 20th century from a man who - in his eighth decade - remains committed to his political beliefs and almost childlike in his openness to people, places and experiences. There's no conventional narrative here, and those seeking plot are advised to look elsewhere. But Here is Where We Meet offers a wise, moving and poetic look at the life of an artist traversing the European century from a novelist whose talent remains undimmed in his twilight years.
  • Home Land by Sam Lipsyte

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    In his recent TEV guest review of Home Land, Jim Ruland called Sam Lipsyte the "funniest writer of his generation," and we're quite inclined to agree.  We tore through Home Land in two joyful sittings and can't remember the last time we've laughed so hard.   Lipsyte's constellation of oddly sympathetic losers is rendered with a sparkling, inspired prose style that's sent us off in search of all his prior work. In Lewis Miner's (a.k.a Teabag) woeful epistolary dispatches to his high school alumni newsletter ("I did not pan out."), we find an anti-hero for the age.  Highly, highly recommended.

SECOND LOOK

  • The Bookshop by Penelope Fitzgerald

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    Penelope Fitzgerald's second novel is the tale of Florence Green, a widow who seeks, in the late 1950s, to bring a bookstore to an isolated British town, encountering all manner of obstacles, including incompetent builders, vindictive gentry, small minded bankers, an irritable poltergeist, but, above all, a town that might not, in fact, want a bookshop. Fitzgerald's prose is spare but evocative – there's no wasted effort and her work is reminiscent of Hemingway's dictum that every word should fight for its right to be on the page. Florence is an engaging creation, stubbornly committed to her plan even as uncertainty regarding the wisdom of the enterprise gnaws at her. But The Bookshop concerns itself, finally, with the astonishing vindictiveness of which provincials are capable, and, as so much English fiction must, it grapples with the inevitabilities of class. It's a dense marvel at 123 pages, a book you won't want to – or be able to – rush through.
  • The Rider by Tim Krabbe

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    Tim Krabbé's superb 1978 memoir-cum-novel is the single best book we've read about cycling, a book that will come closer to bringing you inside a grueling road race than anything else out there. A kilometer-by-kilometer look at just what is required to endure some of the most grueling terrain in the world, Krabbé explains the tactics, the choices and – above all – the grinding, endless, excruciating pain that every cyclist faces and makes it heart-pounding rather than expository or tedious. No writer has better captured both the agony and the determination to ride through the agony. He's an elegant stylist (ably served by Sam Garrett's fine translation) and The Rider manages to be that rarest hybrid – an authentic, accurate book about cycling that's a pleasure to read. "Non-racers," he writes. "The emptiness of those lives shocks me."

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