Barking at the Moon


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TEV DEFINED


  • The Elegant Variation is "Fowler’s (1926, 1965) term for the inept writer’s overstrained efforts at freshness or vividness of expression. Prose guilty of elegant variation calls attention to itself and doesn’t permit its ideas to seem naturally clear. It typically seeks fancy new words for familiar things, and it scrambles for synonyms in order to avoid at all costs repeating a word, even though repetition might be the natural, normal thing to do: The audience had a certain bovine placidity, instead of The audience was as placid as cows. Elegant variation is often the rock, and a stereotype, a cliché, or a tired metaphor the hard place between which inexperienced or foolish writers come to grief. The familiar middle ground in treating these homely topics is almost always the safest. In untrained or unrestrained hands, a thesaurus can be dangerous."

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June 26, 2009

TEV GIVEAWAY: THE GOD OF WAR

GOW I greatly admired Marisa Silver's fine novel, The God of War, when it came out last year.  Here's what I said about it over at the Barnes & Noble Review:

Common themes of family, guilt, dysfunction, and shame informed many of the stories in Silver's debut collection, Babe in Paradise (2001), as well as her first novel, No Direction Home (2005). These concerns remain present in The God of War, but the story is primarily a sustained meditation on questions of agency and volition; the acceptance (or refusal) of responsibility and the apportioning of blame. Indeed, her damaged cast has settled in this remote backwater in the futile hope of controlling their own fate beyond the reach of government and society. That they largely fail suggests how impervious to geography and inescapably human the so-called human condition really is.

The God of War has just been released in paperback, and I'm pleased to offer a copy this week to a lucky TEV reader.  (And I'm pretty sure I can arrange to have it signed for you, too.)  It's been a while since we've done one of these, so we're probably all a bit rusty on the rules.  Therefore:  Drop us an email, subject line "GIMME SOME SILVER".  Include your full mailing address, please, otherwise you will be disqualified and possibly mocked.  All entries will be accepted until Sunday, June 28 at 6 p.m. PST, at which time the Random Number Generator will practice its own special brand of tough love.  Until then ...

May 29, 2009

TEV GIVEAWAY: THE WRITER'S NOTEBOOK

Cover_w_n_book Well, you've had a chance to see for yourself this week what sort of essays you'll find in Tin House's The Writer's Notebook: Craft Essays from Tin House.  In addition to Susan Bell's memorable essay on The Great Gatsby, you can check out Dorothy Allison, Jim Shepard, Aimee Bender, D. A. Powell, and others break down elements of craft and share insights into their own writing. With how-tos, close readings, and personal anecdotes, The Writer's Notebook offers all writers useful advice and inspiration. Included is a CD of workshop discussions and panels.

Some of the other terrific writers in this collection include Rick Bass, Kate Bernheimer, Lucy Corin, Tom Grimes, Matthea Harvey, Anna Keesey, Jim Krusoe, Margot Livesey, Antonya Nelson, Chris Offutt, and Peter Rock.

We're very pleased to be able to offer a copy of The Writer's Notebook, courtesy of Tin House, to a lucky TEV reader.  Everyone knows the drill - drop an email, subject line "I'M CRAFTY", and include your full mailing address, please.  We'll take all entries until Sunday, May 31 at 7 p.m. PST, at which time the Random Number Generator will break all hearts but one.  Until then ...

UPDATE: Congratulations to Ned Resnikoff, winner of one of our most contested giveaways to date!

May 15, 2009

GIVEAWAY HOLIDAY

We're taking a one-time holiday from our Friday giveaway - we've still got to select winners from our last two outings - but it will be back next week.  We're also revising the transcription of our big Joseph O'Neill interview for a four-day posting plus giveaway, and we've got one or two other multi-day surprises in development, so do pop back next week.  Until then, a fine weekend to all.

May 08, 2009

TEV GIVEAWAY: THE STORY OF A MARRIAGE

SM We're longtime fans of Andrew Sean Greer, who was our first big TEV interview, back in the day.  Last year, we were lucky enough to share a stage as part of LAPL's Aloud series - interested parties can listen to the conversation here.

Last year's The Story of a Marriage was called "inspired" and "lyrical" by the New York Times, "emotionally complex" by TLS and "A beautiful, understated novel" by The Observer.  It was also a Financial Times Best Book of the Year, as well as a San Francisco Chronicle Best Book of the Year.

The Story of a Marriage is newly out in paperback from Picador, and we caught up with Greer at the LA Times Festival of Books and asked him to custom-inscribe a copy for a future TEV winner:

ASGign 

So, we all know the rules - drop an email, subject line "I'M LUCKY" and you must include your full mailing address, please, as always.   Because of the late posting, we'll take all entries until Sunday, May 10 at 5 p.m. PST, at which time we'll draw a single lucky name as directed by the Random Number Generator.  We'll also announce the winners of last week's giveaway, which we haven't sorted out yet.  So Sunday will be an exciting night, indeed ... Until then.

GIVEAWAY DELAY

Slight delay this morning but today's giveaway will be posted before lunch, so please check back.

April 24, 2009

3MI (PLUS GIVEAWAY): DANIYAL MUEENUDDIN

DM We've been quite keen on Daniyal Mueenuddin's debut collection, In Other Rooms, Other Wonders, so we're delighted to have him sit for a Three Minute Interview (3MI), combined with a special Friday giveaway at the end.  Remember the 3MI rules - the first three questions are custom, the remaining seven are the same for all comers.

Mueenuddin was brought up in Lahore, Pakistan and Elroy, Wisconsin.  A graduate of Dartmouth College and Yale Law School, his stories have appeared in The New Yorker, Granta, Zoetrope, and The Best American Short Stories 2008, selected by Salman Rushdie.  For a number of years he practiced law in New York.  He now lives on a farm in Pakistan’s southern Punjab.

1) Please tell us a little bit about the genesis of your short story collection and feel free, if you are so moved, to weigh in on the increasingly popular notion of "linked stories"?

DM: Since graduating from college in the US, I’ve lived in Pakistan on-and-off, managing a family farm in south Punjab. In the course of running this business I’ve met all sorts of characters, have come to know an isolated, intense, feudal world – the feudal aspect of it being important, because the feudal life is one of profoundly ramified connections.

For the first many years while living here I wrote only poetry, and so made little use of this material. After undergoing a period of time as a lawyer in the U.S., which cured me of most worldly ambitions, I consciously decided to switch from poetry to prose. Short stories appealed to me more than a novel, for my maiden effort – they require more discipline, curb self-indulgence – and then, there’s less likelihood of slogging into a swamp and wasting years wandering knee deep in background story and the lives of peripheral characters. As for the notion of connected stories, most good collections tell a larger story, the story of the whole.

2) Please tell us what it was like to have Salman Rushdie select one of your stories for Best American Short Stories of 2008? How did you find out?

Undiluted joy, of course. At that time my book had not come out, I had published only two or three little stories. That Salman Rushdie knew my name – seemed in itself a miracle. It came out of the blue, an email from my agent Bill Clegg – who has the wonderful habit of surprising me with little and big successes, publications and sales, etc.

3) What do you think America's top misconception about Pakistan is?

Many of your readers will remember Auden’s Musee des Beaux Arts – from which:

About suffering they were never wrong,
The Old Masters; how well, they understood
Its human position; how it takes place
While someone else is eating or opening a window or just walking dully along….

The point is, that while great atrocities are committed, and the world stares, most Pakistanis go on with their wolfish or doggy lives – terrorism is only a small part of our daily experience. Life is job and family and little things.

Having said that, it’s quite possible that there will sooner or later be great disruptions in Pakistan, in which case our lives will change profoundly – and perhaps your lives in the West will be changed too, if the extremists prevail in Pakistan and have safe haven or – God forbid – have nukes.

4) What is the best book we've never heard of?

Sigrid Undset, Kristin Lavransdatter

5) Windows or Mac?

Windows – Mac doesn’t work in the third world – nobody understands how to troubleshoot it, the old programs and Chinese etc. programs are not compatible. I often wish, however, that all the Microsoft engineers had a single neck – and I were the barber.

DM Cov 6) Why do you live where you live?

Livelihood, loyalty to place, fascination with the landscape and people, desire to explore this aspect of my identity – and stories, characters, predicaments. Life here in the Pakistan’s bushiest boonies is red of tooth and claw, more colorful and intense than any other place I’ve been.

7) What was the most memorable meal of your life?

Living in Oslo on a Fulbright, I met the woman who is now my wife. At the time I owned for cooking gear: one glass, one knife, one spoon, one plate, one bowl, and a water boiler. Literally the day after we met I went out and bought pots, pans, glasses, flatware, a whole elaborate kitchen. Egg timer. Things I’ve never used. Those wooden skewers for shish kebab that lurk for years in your kitchen drawers. I toiled over stove and saucepan through noons and nights, cookbooks flying, reaching a crescendo at the end of ten days - osso buco with tomatoes, olives and gremolata (try finding veal shank in Oslo – not easy), mashed yellow turnips with crispy shallots, Barefoot Contessa Caesar salad, and for desert, Mrs. Iskian’s cheese cake. For breakfast I served a parmesan, ham and mushroom frittata.

8) What was the last library book you took out and why?

A book of V.S. Pritchett’s essays – I had just finished reading his collected short stories, and was ravenous for more, couldn’t wait for Amazon to deliver. (I was living in the US at the time – where I live in Pakistan we have neither libraries nor Amazon.)

9) Name three things on your desk right now that aren't books or computer equipment.

A bottle of Tabasco sauce, for my mid-morning cheese toast; a VHF phone; a rosewood box that someone gave me, with a cover made from a Ding Dong Bubble bubble gum package – a bizarre cat logo on a blue background, with big bells attached to its Tom-and-Jerry ears.

10) What's at the top of your Netflix queue?

No delivery, I’m reliant on bootleg from the local market, Legally Blonde II being the medium of what’s available.

Thanks to our good friends at Norton, we are pleased to offer five signed copies of Mueenuddin's collection to five lucky TEV readers.  Everyone knows the drill, but for those who feign ignorance: Drop us an email, subject line "MICROSOFT'S BARBER".  Include your full mailing address.  We'll take all entries until 10 p.m. PST at which point the Random Number Generator will do its weekly dance of joy and woe.  Anon.

UPDATE: Congratulations to our winners Ruth Freeman, Scott Anreder, Jesse Doris, Kim Allen-Niesen and Megan Sohar.

March 13, 2009

TEV GIVEAWAY: THE BOOK OF NIGHT WOMEN

MJ We were fortunate enough to get to know Marlon James a few years back during the PEN World Voices festival when ... well, Maud Newton, who is a fan, tells the story better than we could.  Since then, we've been looking forward to his second novel, The Book of Night Women, which recently was called "an undeniable success" in the New York Times Book Review.  Here's a bit of what they had to say:

Marlon James’s second novel is both beautifully written and devastating. While the gruesome history of slavery in the Americas is a story we may dare to think we already know, every page of “The Book of Night Women” reminds us that we don’t know nearly enough. James’s narrative, related in a hard-edged but lilting dialect, takes us back to the cruel world of a Jamaican sugar plantation at the turn of the 19th century.

The curious - and if you're not by now, you should be - can also check out this recent appearance by James on Studio 360.

Well, there's no way we're giving up our copy of The Book of Night Women, but our pals at Riverhead have stepped in to offer three signed copies of the novel to three lucky TEV readers.  And so we find ourselves at a familiar juncture, so sing along: Drop an email, subject line "LAPHROAIG" (you have to read Maud Newton's post to understand - and try to spell it right, please, or our email rules won't work) and include your full mailing address.  We will take all entries until Sunday, March 15 at 7 p.m. PST, at which time the Random Number Generator will pick three.  (Past winners may participte in this one.)  Anon!

March 06, 2009

TEV GIVEAWAY: FAMILY PLANNING

FP Editor-turned-novelist Karan Mahajan has been making the online rounds these days.  He was recently interviewed over at The Rumpus, and just contributed a playlist to the Times's "Living with Music," all in support of his debut novel, Family Planning.  (There's something refreshing about seeing a serious novelist kick off his playlist with Bryan Adams.)

As for Family Planning, the San Francisco Chronicle called it, "Brave, breackneck, and amusing. . . . A fearless cultural domestic tour. . . . Irreverent, fresh, and sometimes, given its author’s youth, preternaturally wise" and The Washington Post Book World said, "Mahajan’s sprightly first novel portrays India’s capital—10 million strong—in all its explosive fecundity. . . . Mahajan is only 24 years old, but he has already developed an irresistible voice with a rich sense of humor fueled by sorrow."   And Maud Newton had this to say.

You can browse a bit here.

We're happy to offer not one but two copies of Family Planning to two lucky TEV readers today.  You all know the drill, so why do you make us repeat ourselves?  Email.  Subject line: "I HEART BRYAN".  Full mailing address.  Until 8 p.m. PST.  Random Number Generator.  Winner waits a long time for book shipment.  (But they all do arrive, eventually.)  Anon.

February 20, 2009

TEV GIVEAWAY: THE WAY THROUGH DOORS

JBCov As promised, we follow up Wednesday's 3MI with Jesse Ball with a giveaway of his fascinating novel The Way Through Doors.  Thanks to the folks at Vintage Contemporaries, we're able to offer TEV readers five signed copies.  In case the interview wasn't enough to whet your appetite, here's what PW had to say, in a starred review:

The search for a stranger's history leads down a narrative cul-de-sac in Plimpton Prize — winner Ball's accomplished and clever second novel (after Samedi the Deafness). When pamphleteer Selah Morse witnesses a taxi run down a young woman, he takes her to the hospital and, in telling the staff that he is her boyfriend and that her name is Mora Klein, is given custody of her. She is amnesiac, and his orders are to reconstruct her memories through story. The book then begins anew, and the narrative folds in upon itself again and again, launching in new directions and each time leaving the earlier story incomplete. Throughout, Morse searches out Mora Klein's identity, picking up other travelers along the way, among them a Coney Island mind reader; a doting husband who may or may not have made a deal with the devil; a love interest for Morse fascinated by the pamphleteer's opus; and a fiddle-playing dog. Though literal-minded readers may struggle to follow Morse's arc as the stories converge and he slips deeper into layers of story, Ball's skill with language and delight in comic absurdity make this an immensely enjoyable, brain-busting experience.

OK, gang, as for the rules, we've all been here before.  Drop an email, subject line "HAVING A BALL", and be sure to include your full mailing address.  We'll take all entries until Saturday, February 20 at 5 p.m. PST, at which point the RNG will bestow its customary largesse.

February 19, 2009

GIVEAWAY COMING ...

... will be posted late morning LA time.  Sorry for the unusual delay but contest time will be extended.  Stay tuned.

RECOMMENDED

  • Nobility of Spirit: A Forgotten Ideal by Rob Riemen

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    This slim volume by the president and founder of the Nexus Institute, a European-based humanist think-tank, stands as the most stirring redoubt against the ascendant forces of know-nothingness that we've come across in a long time. A full-throated, unapologetic defense of the virtues of Western Civ – in which "elite" is not and never should be a dirty word – this inspiring exploration of high art and high ideals is divided into three sections: The first looks at the life of Riemen's great hero Thomas Mann as a model for the examined life. The second imagines a series of conversations from turning points in European intellectual history, populated with the likes of Socrates, Nietzsche and others. The final section, "Be Brave," is nothing less than an exhortation to dig deep, especially in times of risk. The notion of nobility of the spirit might strike some modern ears as quaint but it seems more desperately necessary than ever before, and there are worse ways to read the accessible Nobility of Spirit than as a crash refresher in the Great Thinkers, free of academic jargon and cant. As a meditation on what is at stake when the pursuit of high ideals is elbowed aside by the pursuit of fleeting material gain, however, Nobility of Spirit might well be the most prescient book we've yet read on what's at stake in the current election cycle and in the developing global situation. Agree or disagree with Riemen's profound, ambitious and high-minded plea, you will be thinking about his words for a long time. It's been ages since a work of non-fiction moved us this way. Read it. Discuss it. Argue about it.
  • Netherland by Joseph O'Neill

    Netherland_2

    With rave reviews from James Wood, Michiko Kakutani and Dwight Garner, it might not seem like we need to tell you to drop everything and go read Netherland, but we are telling you, and here's why: The way book coverage works these days, everyone talks about the same book for about two or three weeks, and then they move on and the book is more or less forgotten. Whereas a berth here in the Recommended sidebar keeps noteworthy titles in view for a good, long time, which is the sort of sustained attention this marvelous novel deserves. A Gatsby-like meditation on exclusion and otherness, it's an unforgettable New York story in which the post 9/11 lives of Hans, a Dutch banker estranged from his English wife, and Chuck Ramkissoon, a mysterious cricket entrepreneur, intertwine. The New York City of the immigrant margins is unforgettably invoked in gorgeous, precise prose, and the novel's luminous conclusion is a radiant beacon illuminating one of our essential questions, the question of belonging. Our strongest possible recommendation.
  • Dictation: A Quartet by Cynthia Ozick

    Dictation

    "History," wrote Henry James in a 1910 letter to his amanuensis Theodora Bosanquet, "is strangely written." This casual aside could easily serve as the epigraph of Cynthia Ozick's superb new collection Dictation, which concerns itself with lost worlds evoked by languages -- languages which separate and obscure as readily as they bind. It can be risky to look for connective tissue between stories written years apart and published in magazines ranging from The Conradian to The New Yorker. But themes of deception, posterity, and above all, the glory of language -- at once malleable and intractable -- knit together this quartet, recasting the whole as the harmonious product of Ozick's formidable talent. Read the entire review here

  • Diary of a Bad Year by J. M. Coetzee

    Yr

    Now, on the one hand, you scarcely need us to alert you to the existence of a new J.M. Coetzee novel, or even to have us tell you it's worth reading. But we can tell you - we insist on telling you that Diary of a Bad Year is a triumph, easily Coetzee's most affecting and fully wrought work since Disgrace. Formally inventive, the book intertwines two narratives with the author's own Strong Opinions, a series of seemingly discrete philosophical and political essays. The cumulative effect of this strange trio is deeply moving and thought provoking. It's increasingly rare in this thoroughly post-post-modern age to raise the kind of questions in fiction Coetzee handles so masterfully - right down to what is it, exactly, that we expect (or need) from our novels. It's telling that, for all of his serious pronouncements on subjects ranging from censorship to pedophilia to the use of torture, it's finally a few pages from The Brothers Karamazov that brings him to tears. Moving, wise and - how's this for a surprise - funny and lightly self-mocking, Diary of a Bad Year might well be the book of the year and Coetzee is surely our essential novelist. We haven't stopped thinking about it since we set it down.
  • The Indian Clerk by David Leavitt

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    David Leavitt's magnificent new novel tells the story of the unlikely friendship between the British mathematician G.H. Hardy and Srinivasa Ramanujan, mathematical autodidact and prodigy who had been working as a clerk in Madras, and who would turn out to be one of the great mathematical minds of the century. Ramanujan reluctantly joined Hardy in England - a move that would ultimately prove to his detriment - and the men set to work on proving the Riemann Hypothesis, one of mathematics' great unsolved problems. The Indian Clerk, an epic and elegant work which spans continents and decades, encompasses a World War, and boasts a cast of characters that includes Bertrand Russell, Ludwig Wittgenstein and Lytton Strachey. Leavitt renders the complex mathematics in a manner that resonates emotionally as well as intellectually, and writes with crystalline elegance. The metaphor of the prime number – divisible only by one and itself – is beautifully apt for this tale of these two isolated geniuses. Leavitt's control of this dense, sprawling material is impressive – astonishing, at times – and yet despite its scope, he keeps us focused on his great themes of unknowability and identity. The Indian Clerk might be set in the past but it doesn't resemble most so-called "historical fiction." Rather, it's an ageless meditation on the quests for knowledge and for the self – and how frequently the two are intertwined – that is, finally, as timeless as the music of the primes. (View our full week of coverage here.)
  • Then We Came to the End by Joshua Ferris

    Jf

    Joshua Ferris' warm and funny debut novel is an antidote to the sneering likes of The Office and Max Barry's Company. Treating his characters with both affection and respect, Ferris takes us into a Chicago ad agency at the onset of the dot-bomb. Careers are in jeopardy, nerves are frayed and petty turf wars are fought. But there are bigger stakes in the balance, and Ferris' weirdly indeterminate point of view that's mostly first person plural, underscores the shared humanity of everyone who has ever had to sit behind a desk. It's a luminous, affecting debut and you can read the first chapter right here.
  • Christine Falls by Benjamin Black

    Cf

    Coming to these shores at last, John Banville's thriller, written under the nom de plume Benjamin Black, has drawn rave reviews across the pond since it first appeared last October. Those who feared Banville might turn in an overly literary effort needn't worry. Influenced by Simenon's romans durs (hard stories), Banville unspools a dark mystery set in 1950s Dublin concerning itself with, among other things, the church's trade in orphans. At the heart of the book is the coroner Quirke, a Banvillean creation on par with Alex Cleave and Freddie Montgomery. Dublin is rendered with a damp, creaky specificity – you can almost taste the whisky.
  • The Paris Review Interviews, I by The Paris Review and Philip Gourevitch

    Pri

    Scanning our Recommended selections, one might conclude we're addicted to interviews, and one would be correct. If author interviews are like crack to us, then the Paris Review author interviews must surely be the gold standard of crack (a comparison Plimpton might not have embraced). The newly issued The Paris Review Interviews, Volume I (Picador) rolls out the heavy hitters. Who can possibly turn away from the likes of Saul Bellow, T.S. Eliot, Ernest Hemingway, Jorge Luis Borges, Dorothy Parker, Robert Gottlieb and others? The interviews are formal and thoughtful but never dry and can replace any dozen "how-to" books on writing. What can be more comforting than hearing Bellow, answering a question on preparations and conception, admit "Well, I don't know exactly how it's done.” The best part of this collection? The "Volume I" in the title, with its promise of more volumes to come.
  • Above Paris

    Ap_3

    See, we’re not all literary fiction here. Princeton Architectural Press’s absolutely breathtaking Above Paris is very much the kind of thing we’re eager to bring to your attention. Between 1950 and 1972, pilot and photographer Roger Henrard recorded more than 350 images of Paris from the seat of a single-engine Piper cub, documenting Paris from its outskirts to its center. His photographs show not only Paris's famous landmarks - they also give you a sense of the way the city is interconnected: the tight-knit medieval districts as well as the expansive geometry of the grand boulevards. Maps at the beginning of each chapter and fine captions and essays by Jean-Louis Cohen help you navigate the City of Light as never before. Just glorious.
  • The Dead Fish Museum: Stories by Charles D'Ambrosio

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    The best short story collection we've read since ... well, certainly since we've started this blog. And we might even say "ever" if Dubliners didn't cast such a long shadow. The short story is not our preferred form but D'Ambrosio's eight brilliant stories are almost enough to convert us. Defy the conventional wisdom that short story collections don't sell and treat yourself to this marvel. (We're especially partial, naturally, to "Screenwriter".)
  • The Mystery Guest by Grégoire Bouillier
    *Now in Paperback*

    Mg

    What would you do if the woman who’d left you high and dry ten years ago called out of the blue to invite you to a party without any further explanation? If you’re French, you’d probably spend a lot of time pondering the Deeper Significance Of It All, which is exactly what Grégoire Bouillier does for the 120 hilarious pages of The Mystery Guest. This slim, witty memoir follows Bouillier through the party from hell, and is a case study in Gallic self-abasement. Before it’s all done, you’ll set fire to any turtleneck hanging in your closet and think twice before buying an expensive Bordeaux as a gift. But fear not – just when it seems that all is, indeed, random and pointless and there is no Deeper Significance, salvation arrives in the unlikely form of Virginia Woolf, and the tale ends on a note of unforced optimism. Parfait.
  • Ticknor by Sheila Heti

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    When George Ticknor's Life of William Hickling Prescott was published in 1864, it received rapturous notices, and reviewers were quick to point out that the long-standing friendship between Prescott and Ticknor made the latter an ideal Boswell. Sheila Heti has pulled this obscure leaf from the literary archives and fashioned a mordantly funny anti-history; a pungent and hilarious study of bitterness and promise unfulfilled. As a fretful Ticknor navigates his way through the rain-soaked streets of Boston to Prescott's house ("But I am not a late man. I hate to be late."), he recalls his decidedly one-sided lifelong friendship with his great subject. Unlike the real-life Ticknor, this one is an embittered also-ran, full of plans and intentions never realized, always alive to the fashionable whispers behind his back. Heti seamlessly inhabits Ticknor's fussy 19th-century diction with a feat of virtuoso ventriloquism that puts one in mind of The Remains of the Day. Heti's Ticknor would be insufferable if he weren't so funny, and in the end, the black humor brings a leavening poignancy to this brief tale. But don't let the size fool you — this 109-page first novel is small but scarcely slight; it is as dense and textured as a truffle.
  • The Believer Book of Writers Talking to Writers by Vendela Vida

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    No, your eyes aren't deceiving you and yes, we are recommending a Believer product. Twenty-three interviews (a third presented for the first time) pairing the likes of Zadie Smith with Ian McEwan, Jonathan Lethem with Paul Auster, Edward P. Jones and ZZ Packer, and Adam Thirwell with Tom Stoppard make this collection a must-read. Lifted out of the context of some of the magazine's worst twee excesses, the interviews stand admirably on their own as largely thoughtful dialogues on craft. A handful of interviewers seem more interested in themselves than in their subjects but in the main this collection will prove irresistible to writers of any stripe - struggling or established - and to readers seeking a window into the creative process.
  • The Sea by John Banville

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    John Banville's latest novel returns him to the Booker Prize shortlist for the first time since 1989's The Book of Evidence. In The Sea, we find Banville in transition, moving from the icy, restrained narrators of The Untouchable, Eclipse and Shroud toward warmer climes. Max Morden has returned to the vacation spot of his youth as he grieves the death of his wife. Remembering his first, fatal love, Morden works to reconcile himself to his loss. Banville's trademark linguistic virtuosity is everpresent but some of the chilly control is relinquished and Max mourns and rages in ways that mark a new direction for Banville - and there's at least one great twist which you'll never see coming. Given the politicized nature of the British literary scene, Banville's shot at the prize might be hobbled by his controversial McEwan review but we're rooting for our longtime favorite to go all the way at last. UPDATE: Our man won!
  • Here Is Where We Meet by John Berger

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    We've been fans of Booker Prize winner John Berger for ages, and we're delighted to have received an early copy of his latest work, Here is Where We Meet. In this lovely, elliptical, melancholy "fictional memoir," Berger traverses European cities from Libson to Geneva to Islington, conversing with shades from his past – He encounters his dead mother on a Lisbon tram, a beloved mentor in a Krakow market. Along the way, we're treated to marvelous and occasionally heart-rending glimpses of an extraordinary life, a lyrical elegy to the 20th century from a man who - in his eighth decade - remains committed to his political beliefs and almost childlike in his openness to people, places and experiences. There's no conventional narrative here, and those seeking plot are advised to look elsewhere. But Here is Where We Meet offers a wise, moving and poetic look at the life of an artist traversing the European century from a novelist whose talent remains undimmed in his twilight years.
  • Home Land by Sam Lipsyte

    Slc

    In his recent TEV guest review of Home Land, Jim Ruland called Sam Lipsyte the "funniest writer of his generation," and we're quite inclined to agree.  We tore through Home Land in two joyful sittings and can't remember the last time we've laughed so hard.   Lipsyte's constellation of oddly sympathetic losers is rendered with a sparkling, inspired prose style that's sent us off in search of all his prior work. In Lewis Miner's (a.k.a Teabag) woeful epistolary dispatches to his high school alumni newsletter ("I did not pan out."), we find an anti-hero for the age.  Highly, highly recommended.

SECOND LOOK

  • The Bookshop by Penelope Fitzgerald

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    Penelope Fitzgerald's second novel is the tale of Florence Green, a widow who seeks, in the late 1950s, to bring a bookstore to an isolated British town, encountering all manner of obstacles, including incompetent builders, vindictive gentry, small minded bankers, an irritable poltergeist, but, above all, a town that might not, in fact, want a bookshop. Fitzgerald's prose is spare but evocative – there's no wasted effort and her work reminds one of Hemingway's dictum that every word should fight for its right to be on the page. Florence is an engaging creation, stubbornly committed to her plan even as uncertainty regarding the wisdom of the enterprise gnaws at her. But The Bookshop concerns itself, finally, with the astonishing vindictiveness of which provincials are capable, and, as so much English fiction must, it grapples with the inevitabilities of class. It's a dense marvel at 123 pages, a book you won't want to – or be able to – rush through.
  • The Rider by Tim Krabbe

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    Tim Krabbé's superb 1978 memoir-cum-novel is the single best book we've read about cycling, a book that will come closer to bringing you inside a grueling road race than anything else out there. A kilometer-by-kilometer look at just what is required to endure some of the most grueling terrain in the world, Krabbé explains the tactics, the choices and – above all – the grinding, endless, excruciating pain that every cyclist faces and makes it heart-pounding rather than expository or tedious. No writer has better captured both the agony and the determination to ride through the agony. He's an elegant stylist (ably served by Sam Garrett's fine translation) and The Rider manages to be that rarest hybrid – an authentic, accurate book about cycling that's a pleasure to read. "Non-racers," he writes. "The emptiness of those lives shocks me."

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