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March 31, 2005

Comments

Joe Eshwar

Dear Sir,

Your report on the death of veteran writer O.V.Vijayan is not the way it should be. He was nominated for nobel by 2 veterans, Gunter Grass and Gabriel Garcia. His watershed novel 'Khasakkinte Ithihasam' ( Legends of Khasak )forked up Indian writing into 2.

Joe Eshwar

Dear friends,


O.V. Vijayan passed away. His demise, although expected, leaves a void that cannot be filled at any point of time.

I am mailing you because I find it really hard to adjust with his passing away as he meant a lot to me.

O.V.Vijayan’s literature is the only reason why I have accepted reality and quit escapism. Vijayan was the last of those writers who transformed human souls into an allegory of joy. His language often appeared in the form of ‘cry’ and ‘echo‘ and sometimes as deep silence. I was one of the most luckiest people to be associated with him at the twilight of his life. Vijayan, the legend had the patience to listen to all those stories written by me. Had the goodness to correct me when my ideas did not match my words. He was like a father to me.

Literature kills man’s evil nature and refines him. It not only refines him but creates an element of spirituality in his sub consciousness. Vijayan’s writings transformed me into a level where I feel some kind of intellectual liberation. May the legend rest in peace.

After ‘Tessellated Pavements’ nothing has happened with me. I am lazy. I keep writing bits and pieces every time. I think I will stick on to Malayalam, my mother tongue as I feel relaxed, writing in Malayalam.

My film is complete. I am looking forward to have the first screening of the same very soon. Though there are few invitations I am keeping my fingers crossed for the right time to come.

Good luck to all of you

Eshwar, Joe

Laiju Mathew

The Indian English writng has taken a new turn with writers like Tarun J Tejpal and Pankaj Mishra writing on those topics often unxplored. O.V Vijayan, malayalam literature's watershed writer explored the same depths as they have.

Joahnnos Kaza

O.V.Vijayan's death leaves a wound that cannot be healed. He was neglected by beaurocratic India with its noxious rigorism. Writers like Joe Eshwar and Tarun Tejpal will face the same fate because they are bold in teir writings

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TEV DEFINED


  • The Elegant Variation is "Fowler’s (1926, 1965) term for the inept writer’s overstrained efforts at freshness or vividness of expression. Prose guilty of elegant variation calls attention to itself and doesn’t permit its ideas to seem naturally clear. It typically seeks fancy new words for familiar things, and it scrambles for synonyms in order to avoid at all costs repeating a word, even though repetition might be the natural, normal thing to do: The audience had a certain bovine placidity, instead of The audience was as placid as cows. Elegant variation is often the rock, and a stereotype, a cliché, or a tired metaphor the hard place between which inexperienced or foolish writers come to grief. The familiar middle ground in treating these homely topics is almost always the safest. In untrained or unrestrained hands, a thesaurus can be dangerous."

SECOND LOOK

  • The Bookshop by Penelope Fitzgerald

    Bs

    Penelope Fitzgerald's second novel is the tale of Florence Green, a widow who seeks, in the late 1950s, to bring a bookstore to an isolated British town, encountering all manner of obstacles, including incompetent builders, vindictive gentry, small minded bankers, an irritable poltergeist, but, above all, a town that might not, in fact, want a bookshop. Fitzgerald's prose is spare but evocative – there's no wasted effort and her work reminds one of Hemingway's dictum that every word should fight for its right to be on the page. Florence is an engaging creation, stubbornly committed to her plan even as uncertainty regarding the wisdom of the enterprise gnaws at her. But The Bookshop concerns itself, finally, with the astonishing vindictiveness of which provincials are capable, and, as so much English fiction must, it grapples with the inevitabilities of class. It's a dense marvel at 123 pages, a book you won't want to – or be able to – rush through.
  • The Rider by Tim Krabbe

    Rider_4

    Tim Krabbé's superb 1978 memoir-cum-novel is the single best book we've read about cycling, a book that will come closer to bringing you inside a grueling road race than anything else out there. A kilometer-by-kilometer look at just what is required to endure some of the most grueling terrain in the world, Krabbé explains the tactics, the choices and – above all – the grinding, endless, excruciating pain that every cyclist faces and makes it heart-pounding rather than expository or tedious. No writer has better captured both the agony and the determination to ride through the agony. He's an elegant stylist (ably served by Sam Garrett's fine translation) and The Rider manages to be that rarest hybrid – an authentic, accurate book about cycling that's a pleasure to read. "Non-racers," he writes. "The emptiness of those lives shocks me."