The Elegant Variation: GUEST REVIEW: DANGEROUS GAMES

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April 27, 2005

GUEST REVIEW: DANGEROUS GAMES

A busy day full of meetings today but guest reviewer Daniel Olivas steps in to save the day ... Don't forget to check back tomorrow when Jim Ruland takes command of the bridge and steers this ship into all sort of trouble ...

Dangerous Games
By John Shannon
Carroll & Graff
248 pp.
$25.00

REVIEWED BY DANIEL OLIVAS

Because of its sheer size, Los Angeles can be many things to different people. The city boasts some of most spectacular beaches and breathtaking mountains. It is also the home of celluloid dreams: Bogart and Bacall; Capra and Coppola; the Grauman’s Chinese Theatre and Oscar. And L.A. is the ultimate melting pot, a magnet for those who wish to make better lives for themselves whether fleeing a struggling economy in Detroit or political persecution in Central America. But if we pull back the curtain just a bit, we can view the darker side of Los Angeles. The coast is being held hostage by a few wealthy homeowners who wish to keep the great unwashed far from “their” hard-earned beaches. When summer comes, the dried-out mountains and hills become so much kindling for arsonists. In Hollywood’s backyard, the porn industry makes its home in the Valley amidst middle class tract homes, Ventura Boulevard businesses, churches and temples. And cracks show in the melting pot: the streets are teeming with gangs, jaded cops, and people afraid to venture into “different” neighborhoods. All of it is true: the good and the bad co-exist allowing us to feel both at home and apprehensive at the same moment. In other words, this is the perfect setting for novelist John Shannon to allow Jack Liffey, finder of lost children, to get into fresh trouble.

When we last saw Liffey, he had found the perpetrator of various crimes of vengeance arising from the racist history of Terminal Island, been dumped by his new girlfriend, survived a collapsed lung and renewed his relationship with his teenage daughter, Maeve. Liffey also fell for a police officer named Gloria Ramirez, a Native American who was raised by Latino parents who taught her to hate her own heritage. Dangerous Games begins with Liffey living in East L.A. with Ramirez; his moody daughter is delighted with Ramirez and hopes her father won’t mess this one up. But Liffey’s relationship leads inexorably to a new search for a lost child: Ramirez’s beautiful 18-year-old niece has disappeared from her tiny reservation in the Owens Valley leaving enough clues to make everyone suspect that she’s been swallowed up by L.A.’s porn scene. Liffey feels up to the task.

If it were left at that, our hero would have more than enough to occupy him. But during one clear day while Liffey waters his girlfriend’s lawn and Maeve lounges alongside chatting with her father, a gangbanger loses control and shoots indiscriminately in Liffey’s direction leaving Maeve severely wounded. As Maeve recuperates, Liffey adds a new mission to his list: revenge. His subsequent confrontation of the perpetrator and eventual solution is one of the most surprising and fulfilling aspects of the narrative. But there is still a lost child to find. And this is where things get ugly as we’re thrown into the world of phone sex, porn films, dangerous reality videos, AIDS and very violent men who truly believe that women are meant to be controlled and used in any way imaginable.

Throughout, we’re treated to Shannon’s smart dialogue, complex characters and a thrill ride of action. The denouement takes place in the Malibu Hills, set ablaze by reality “filmmakers” as their ultimate get-rich-quick venture. As Liffey and others try to outrun the flames, Liffey muses on all the failures in his life and wonders about the meaning of it all. There are wonderful things in life to be certain: the love of both his girlfriend and his resilient, brilliant daughter. But all the mistakes are there too: failed relationships, a battle with alcohol, physical scars too many to count. In Shannon’s sure hands, we see the world through the eyes of a man who struggles to reconcile life’s joy and pain shaped in large part by Los Angeles itself. Shannon offers more questions than answers. But that’s okay. Finely-crafted novels do that. And this is certainly one of Shannon’s best.

Daniel Olivas is a writer living in Los Angeles.

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The Elegant Variation is "Fowler’s (1926, 1965) term for the inept writer’s overstrained efforts at freshness or vividness of expression. Prose guilty of elegant variation calls attention to itself and doesn’t permit its ideas to seem naturally clear. It typically seeks fancy new words for familiar things, and it scrambles for synonyms in order to avoid at all costs repeating a word, even though repetition might be the natural, normal thing to do: The audience had a certain bovine placidity, instead of The audience was as placid as cows. Elegant variation is often the rock, and a stereotype, a cliché, or a tired metaphor the hard place between which inexperienced or foolish writers come to grief. The familiar middle ground in treating these homely topics is almost always the safest. In untrained or unrestrained hands, a thesaurus can be dangerous."

Nobility of Spirit: A Forgotten Ideal by Rob Riemen

This slim volume by the president and founder of the Nexus Institute, a European-based humanist think-tank, stands as the most stirring redoubt against the ascendant forces of know-nothingness that we've come across in a long time. A full-throated, unapologetic defense of the virtues of Western Civ – in which "elite" is not and never should be a dirty word – this inspiring exploration of high art and high ideals is divided into three sections: The first looks at the life of Riemen's great hero Thomas Mann as a model for the examined life. The second imagines a series of conversations from turning points in European intellectual history, populated with the likes of Socrates, Nietzsche and others. The final section, "Be Brave," is nothing less than an exhortation to dig deep, especially in times of risk. The notion of nobility of the spirit might strike some modern ears as quaint but it seems more desperately necessary than ever before, and there are worse ways to read the accessible Nobility of Spirit than as a crash refresher in the Great Thinkers, free of academic jargon and cant. As a meditation on what is at stake when the pursuit of high ideals is elbowed aside by the pursuit of fleeting material gain, however, Nobility of Spirit might well be the most prescient book we've yet read on what's at stake in the current election cycle and in the developing global situation. Agree or disagree with Riemen's profound, ambitious and high-minded plea, you will be thinking about his words for a long time. It's been ages since a work of non-fiction moved us this way. Read it. Discuss it. Argue about it.
Netherland by Joseph O'Neill

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Dictation: A Quartet by Cynthia Ozick

"History," wrote Henry James in a 1910 letter to his amanuensis Theodora Bosanquet, "is strangely written." This casual aside could easily serve as the epigraph of Cynthia Ozick's superb new collection Dictation, which concerns itself with lost worlds evoked by languages -- languages which separate and obscure as readily as they bind. It can be risky to look for connective tissue between stories written years apart and published in magazines ranging from The Conradian to The New Yorker. But themes of deception, posterity, and above all, the glory of language -- at once malleable and intractable -- knit together this quartet, recasting the whole as the harmonious product of Ozick's formidable talent. Read the entire review here
Diary of a Bad Year by J. M. Coetzee

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The Indian Clerk by David Leavitt

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Then We Came to the End by Joshua Ferris

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Scanning our Recommended selections, one might conclude we're addicted to interviews, and one would be correct. If author interviews are like crack to us, then the Paris Review author interviews must surely be the gold standard of crack (a comparison Plimpton might not have embraced). The newly issued The Paris Review Interviews, Volume I (Picador) rolls out the heavy hitters. Who can possibly turn away from the likes of Saul Bellow, T.S. Eliot, Ernest Hemingway, Jorge Luis Borges, Dorothy Parker, Robert Gottlieb and others? The interviews are formal and thoughtful but never dry and can replace any dozen "how-to" books on writing. What can be more comforting than hearing Bellow, answering a question on preparations and conception, admit "Well, I don't know exactly how it's done.” The best part of this collection? The "Volume I" in the title, with its promise of more volumes to come.
The Dead Fish Museum: Stories by Charles D'Ambrosio

The best short story collection we've read since ... well, certainly since we've started this blog. And we might even say "ever" if Dubliners didn't cast such a long shadow. The short story is not our preferred form but D'Ambrosio's eight brilliant stories are almost enough to convert us. Defy the conventional wisdom that short story collections don't sell and treat yourself to this marvel. (We're especially partial, naturally, to "Screenwriter".)
The Mystery Guest by Grégoire Bouillier
*Now in Paperback*

What would you do if the woman who’d left you high and dry ten years ago called out of the blue to invite you to a party without any further explanation? If you’re French, you’d probably spend a lot of time pondering the Deeper Significance Of It All, which is exactly what Grégoire Bouillier does for the 120 hilarious pages of The Mystery Guest. This slim, witty memoir follows Bouillier through the party from hell, and is a case study in Gallic self-abasement. Before it’s all done, you’ll set fire to any turtleneck hanging in your closet and think twice before buying an expensive Bordeaux as a gift. But fear not – just when it seems that all is, indeed, random and pointless and there is no Deeper Significance, salvation arrives in the unlikely form of Virginia Woolf, and the tale ends on a note of unforced optimism. Parfait.
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Here Is Where We Meet by John Berger

We've been fans of Booker Prize winner John Berger for ages, and we're delighted to have received an early copy of his latest work, Here is Where We Meet. In this lovely, elliptical, melancholy "fictional memoir," Berger traverses European cities from Libson to Geneva to Islington, conversing with shades from his past – He encounters his dead mother on a Lisbon tram, a beloved mentor in a Krakow market. Along the way, we're treated to marvelous and occasionally heart-rending glimpses of an extraordinary life, a lyrical elegy to the 20th century from a man who - in his eighth decade - remains committed to his political beliefs and almost childlike in his openness to people, places and experiences. There's no conventional narrative here, and those seeking plot are advised to look elsewhere. But Here is Where We Meet offers a wise, moving and poetic look at the life of an artist traversing the European century from a novelist whose talent remains undimmed in his twilight years.
Home Land by Sam Lipsyte

In his recent TEV guest review of Home Land, Jim Ruland called Sam Lipsyte the "funniest writer of his generation," and we're quite inclined to agree. We tore through Home Land in two joyful sittings and can't remember the last time we've laughed so hard. Lipsyte's constellation of oddly sympathetic losers is rendered with a sparkling, inspired prose style that's sent us off in search of all his prior work. In Lewis Miner's (a.k.a Teabag) woeful epistolary dispatches to his high school alumni newsletter ("I did not pan out."), we find an anti-hero for the age. Highly, highly recommended.

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SECOND LOOK

The Bookshop by Penelope Fitzgerald

Penelope Fitzgerald's second novel is the tale of Florence Green, a widow who seeks, in the late 1950s, to bring a bookstore to an isolated British town, encountering all manner of obstacles, including incompetent builders, vindictive gentry, small minded bankers, an irritable poltergeist, but, above all, a town that might not, in fact, want a bookshop. Fitzgerald's prose is spare but evocative – there's no wasted effort and her work reminds one of Hemingway's dictum that every word should fight for its right to be on the page. Florence is an engaging creation, stubbornly committed to her plan even as uncertainty regarding the wisdom of the enterprise gnaws at her. But The Bookshop concerns itself, finally, with the astonishing vindictiveness of which provincials are capable, and, as so much English fiction must, it grapples with the inevitabilities of class. It's a dense marvel at 123 pages, a book you won't want to – or be able to – rush through.
The Rider by Tim Krabbe

Tim Krabbé's superb 1978 memoir-cum-novel is the single best book we've read about cycling, a book that will come closer to bringing you inside a grueling road race than anything else out there. A kilometer-by-kilometer look at just what is required to endure some of the most grueling terrain in the world, Krabbé explains the tactics, the choices and – above all – the grinding, endless, excruciating pain that every cyclist faces and makes it heart-pounding rather than expository or tedious. No writer has better captured both the agony and the determination to ride through the agony. He's an elegant stylist (ably served by Sam Garrett's fine translation) and The Rider manages to be that rarest hybrid – an authentic, accurate book about cycling that's a pleasure to read. "Non-racers," he writes. "The emptiness of those lives shocks me."

The Elegant Variation

A Literary Weblog.
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April 27, 2005

GUEST REVIEW: DANGEROUS GAMES

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MY NOVEL

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The Elegant Variation

A Literary Weblog. A Guardian Top 10 Literary Blog * A Forbes "Best of the Web" Pick * A Los Angeles Magazine Top Los Angeles Blog "Really brave ... or really stupid" - NPR

April 27, 2005

GUEST REVIEW: DANGEROUS GAMES

Comments

MY NOVEL

WORTHY READINGS

TEV DEFINED

RECOMMENDED

THIS GUN FOR HIRE: Reviews & Criticism

SECOND LOOK

Categories

A Literary Weblog.
A Guardian Top 10 Literary Blog * A Forbes "Best of the Web" Pick * A Los Angeles Magazine Top Los Angeles Blog
"Really brave ... or really stupid" - NPR

THIS GUN FOR HIRE:
Reviews & Criticism