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September 20, 2005

Comments

Willie Stark

What a cheap and predictable post from a liberal litblogger. No book review of course from the litblogger in question, just farming out his content to one of his loyal liberal minions. One named after an olive, no less.

Like many liberals, Mark Sarvas no doubt denied his independent contractor that pivotal pimento. Olive Man pleaded and pleaded at Sarvas' feet for the pimento-based olive. But did Sarvas give it to him? No.

The liberals speak of books, compassion and the humanities. But if they are cruel enough to deny a regular contributor a pimento, then so much for their common welfare for all, eh?

Heather

Hello!
I'm almost done reading this book and I can't put it down. It's got to be one of my favorites for this year:)

Pam

Willie: What a sad position you have in life. I would rather suffer the life of Snow Flower with a postive outlook than be in your world.

I think the book was amazing and feel enriched just by reading it.

jeff gidlow

Snowflower is a beautiful book and will remain with me forever

Sandra Rieser

One of the worst books I have ever read. It was an assignment of a book club I am joining or I would never have finished it. The one interesting aspect that is evoked is the clear message that men were not the oppressors at all, as stated repeatedly, all evil did spring from the women themselves. There is no feminine compassion or real love for their husbands, children or each other. Further, they could have stopped the cruelty at any time and chose, the operative word, to continue to inflict horrors upon themselves and their daughters.

Monika

What an amazing book. It will remain in my collection for the rest of my life.

HOMMEY

I loved this book, it thought me about the chinese culture in t 19th centuary and the way the book was told is very beautiful!!!!!!!!!!!

ava

i love this book

Isabel Gladwin

I too read this book only b/c of the book club I recently joined. The most interesting part of it was learning about 19th century Chinese customs, and I do respect teh author's research into the culture; but I did not find the language particulary beautiful; the characters were poorly drawn - there is surface information there only - and the storyline was weak. I feel that the writing was meant to yank on the heartstrings, but found the book not engaging at all.

Bob Henry

who the antagonist of the book

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TEV DEFINED


  • The Elegant Variation is "Fowler’s (1926, 1965) term for the inept writer’s overstrained efforts at freshness or vividness of expression. Prose guilty of elegant variation calls attention to itself and doesn’t permit its ideas to seem naturally clear. It typically seeks fancy new words for familiar things, and it scrambles for synonyms in order to avoid at all costs repeating a word, even though repetition might be the natural, normal thing to do: The audience had a certain bovine placidity, instead of The audience was as placid as cows. Elegant variation is often the rock, and a stereotype, a cliché, or a tired metaphor the hard place between which inexperienced or foolish writers come to grief. The familiar middle ground in treating these homely topics is almost always the safest. In untrained or unrestrained hands, a thesaurus can be dangerous."

SECOND LOOK

  • The Bookshop by Penelope Fitzgerald

    Bs

    Penelope Fitzgerald's second novel is the tale of Florence Green, a widow who seeks, in the late 1950s, to bring a bookstore to an isolated British town, encountering all manner of obstacles, including incompetent builders, vindictive gentry, small minded bankers, an irritable poltergeist, but, above all, a town that might not, in fact, want a bookshop. Fitzgerald's prose is spare but evocative – there's no wasted effort and her work reminds one of Hemingway's dictum that every word should fight for its right to be on the page. Florence is an engaging creation, stubbornly committed to her plan even as uncertainty regarding the wisdom of the enterprise gnaws at her. But The Bookshop concerns itself, finally, with the astonishing vindictiveness of which provincials are capable, and, as so much English fiction must, it grapples with the inevitabilities of class. It's a dense marvel at 123 pages, a book you won't want to – or be able to – rush through.
  • The Rider by Tim Krabbe

    Rider_4

    Tim Krabbé's superb 1978 memoir-cum-novel is the single best book we've read about cycling, a book that will come closer to bringing you inside a grueling road race than anything else out there. A kilometer-by-kilometer look at just what is required to endure some of the most grueling terrain in the world, Krabbé explains the tactics, the choices and – above all – the grinding, endless, excruciating pain that every cyclist faces and makes it heart-pounding rather than expository or tedious. No writer has better captured both the agony and the determination to ride through the agony. He's an elegant stylist (ably served by Sam Garrett's fine translation) and The Rider manages to be that rarest hybrid – an authentic, accurate book about cycling that's a pleasure to read. "Non-racers," he writes. "The emptiness of those lives shocks me."