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October 26, 2005

TOP 10 SEXY FRENCH BOOKS

This is the time of year when we usually turn our attention toward Paris.  Normally, we'd be there right now (October is our preferred month) but training for our November bike race interferred, and so we're heading out for a Paris New Years.  But we've begun obsessing early, and so the Guardian's list of top 10 sexy French books coudn't come at a better time ...

"Why are French women so sexy? Ever since 1066, we've been enthralled by the innate superiority of the French female. Never mind Larkin and 1963; the French were at it well before that. French women are beautiful, stylish and chic - but they have something else that many English women lack. One of their tools, every bit as potent as their matching underwear, is their knowledge of literature. They see being well-read as important as being well-groomed. In order to outwit our French female foes across the Channel, here is a list of the top 10 sexy French books, guaranteed to land you a date with Thierry Henry."

Speaking of les choses francaises, a South African author has been awarded the Prix du Marais.

The French translation of the Cape Town-based novel, Skyline, has won the Prix du Marais, a top French literary award.

South African writer Patricia Schonstein received a standing ovation here when she scooped the prize from a shortlist of eight novels chosen by readers and an expert panel. She is the first foreign writer to have won this prestigious award.

"It's amazing to have my work acknowledged by French readers like this," Schonstein said. "I was so excited when they offered to fly me to France for the ceremony. When they announced I'd won I couldn't believe it."

Posted at 12:16 AM in Litlinks |

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Comments

genevieve

if the soccer players are also well read, that's some country.

Posted by: genevieve | October 29, 2005 at 05:26 PM

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TEV DEFINED


  • The Elegant Variation is "Fowler’s (1926, 1965) term for the inept writer’s overstrained efforts at freshness or vividness of expression. Prose guilty of elegant variation calls attention to itself and doesn’t permit its ideas to seem naturally clear. It typically seeks fancy new words for familiar things, and it scrambles for synonyms in order to avoid at all costs repeating a word, even though repetition might be the natural, normal thing to do: The audience had a certain bovine placidity, instead of The audience was as placid as cows. Elegant variation is often the rock, and a stereotype, a cliché, or a tired metaphor the hard place between which inexperienced or foolish writers come to grief. The familiar middle ground in treating these homely topics is almost always the safest. In untrained or unrestrained hands, a thesaurus can be dangerous."

SECOND LOOK

  • The Bookshop by Penelope Fitzgerald

    Bs

    Penelope Fitzgerald's second novel is the tale of Florence Green, a widow who seeks, in the late 1950s, to bring a bookstore to an isolated British town, encountering all manner of obstacles, including incompetent builders, vindictive gentry, small minded bankers, an irritable poltergeist, but, above all, a town that might not, in fact, want a bookshop. Fitzgerald's prose is spare but evocative – there's no wasted effort and her work reminds one of Hemingway's dictum that every word should fight for its right to be on the page. Florence is an engaging creation, stubbornly committed to her plan even as uncertainty regarding the wisdom of the enterprise gnaws at her. But The Bookshop concerns itself, finally, with the astonishing vindictiveness of which provincials are capable, and, as so much English fiction must, it grapples with the inevitabilities of class. It's a dense marvel at 123 pages, a book you won't want to – or be able to – rush through.
  • The Rider by Tim Krabbe

    Rider_4

    Tim Krabbé's superb 1978 memoir-cum-novel is the single best book we've read about cycling, a book that will come closer to bringing you inside a grueling road race than anything else out there. A kilometer-by-kilometer look at just what is required to endure some of the most grueling terrain in the world, Krabbé explains the tactics, the choices and – above all – the grinding, endless, excruciating pain that every cyclist faces and makes it heart-pounding rather than expository or tedious. No writer has better captured both the agony and the determination to ride through the agony. He's an elegant stylist (ably served by Sam Garrett's fine translation) and The Rider manages to be that rarest hybrid – an authentic, accurate book about cycling that's a pleasure to read. "Non-racers," he writes. "The emptiness of those lives shocks me."

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