The Elegant Variation: APRIL 29, 2003

« TEV GUEST REVIEW: FINN | Main | TEV GIVEAWAY & GUEST BLOGGER ANNOUNCEMENT: THEN WE CAME TO THE END »

February 28, 2007

APRIL 29, 2003 - FEBRUARY 21, 2007

There's a Microsoft Word file on my laptop dated April 29, 2003, which contains the first thoughts on my novel. What's striking is that when I went back, three years later, upon completion of the draft, the book I'd written was very much the book I'd envisioned. My conception appears to have been pretty clear from the outset.

Regular TEV readers have been following the progress of the book. First came the "rough first", the draft that carried me across the finish line for the first time. Then came the "show people" draft and, finally, the submission draft.

The submission draft found a home last Wednesday, when Bloomsbury bought my novel.

There were notable steps along the way which, being an oddly superstitious creature, I kept to myself. But events basically unfolded thus:

Early in November I began soliciting agents. I made a fast and strong connection with Simon Lipskar of Writers House who loved the book. More importantly, though, he clearly got the book - I could tell that we were talking about the same work, that he saw it the way I did. And his passion for the book and his confidence seemed boundless. I flew back to NY to meet him in person, and we were off to the races.

He requested two very minor changes, which I pulled together during the Christmas holidays. The book went out on January 15. Things happened all during the subsequent period (about which I'll remain maddeningly discreet) and last Wednesday, Simon called to tell me we'd gotten the offer, which we accepted joyfully.

I couldn't be happier about being published by Bloomsbury, a great, literary house that's published the likes of William Boyd, David Leavitt, Alan Hollinghurst and even John Banville. (His non-fiction Prague Pictures was for Bloomsbury.)

To answer some anticipated questions:

Q: What's it called?
A: HARRY, REVISED

Q: What's it about?
A: Here's what Bloomsbury's release says, which is much better than anything I could come up with:

Harry, Revised is the hilarious and tender story of Harry Rent, a guilt-ridden, down-on-his-luck widower, who tries to reinvent himself following his wife’s untimely death. His emotional journey takes him from his own solipsistic and outrageously misdirected fantasies about an obsidian-haired, twenty-two-year-old waitress at his local greasy spoon, to the tenuous beginnings of an actual, personal transformation. At once deeply moving and darkly comedic, Harry, Revised is an extraordinary novel about the measure of a man's worth by a wonderful, emerging talent.

Q: When is it coming out?
A: They're showing a Winter 2008 publication date.

Q: Will you keep blogging?
A: Of course.

Q: So you didn't start you blog just to sell your book?
A: No. When I started the book, I had no reason to think it wouldn't be yet another 50-page false start.

Q: Did having a blog make it easier for you?
A: It's undeniable that the blog helped but only in getting me over the threshold and perhaps moving me into a higher place on the list. But both Simon's decision to represent the work and Bloomsbury's decision to publish the book really appear to have been based purely on the merits of the work.

Q: Are you going to stop being critical now that you're part of the "establishment"?
A: Fuck, no.

Honestly, I'm still a bit numb but I can't think of a better way to go off into a new marriage. I'm sure there will be plenty more to say as the book moves through the process toward publication but for now, I wanted to celebrate with all of you.

Posted at 09:31 AM in Personal | Permalink

Comments

Congratulations!

Winter 2008 -- that's a long way away. Guess we'll have to be very patient.

Posted by: Poornima | February 28, 2007 at 09:50 AM

Congratulations, Mark.
Best feeling in the world.
-michael

Posted by: maf | February 28, 2007 at 10:04 AM

Congratulations, Mark!! Any chance your book tour will include Nashville?

Wendy
(former Gary Kobat classmate)

Posted by: Wendy Marin | February 28, 2007 at 10:10 AM

Congrats, Mark! We all knew you had it in ya.

Posted by: Pete | February 28, 2007 at 10:31 AM

Congrats, Mark. I can't wait to read it!

(BTW, I had the same experience the other day looking at preliminary notes for my book--a shock, really, after the muddle of composition, to see a clear conception there from the start.)

Antoine

Posted by: Antoine Wilson | February 28, 2007 at 10:56 AM

Congratulations, Mark!

Posted by: Gwenda | February 28, 2007 at 10:57 AM

Great news, Mark!

Posted by: stephan | February 28, 2007 at 11:07 AM

Great news, well told! I am looking forward to reading it.

Posted by: Levi | February 28, 2007 at 11:25 AM

Congratulations, Mark!

Posted by: John Shannon | February 28, 2007 at 11:38 AM

I read this deal on PM and was instantly intrigued. You must be over the moon and beyond. What a wonderful journey for you.

Posted by: Amy MacKinnon | February 28, 2007 at 11:59 AM

Hey, what great news! I look forward to reading it.

Posted by: shauna | February 28, 2007 at 12:07 PM

You're getting married? Who knew...

Congrats on both counts.

Posted by: Jeff | February 28, 2007 at 12:48 PM

Congrats!

Posted by: ed | February 28, 2007 at 01:11 PM

Congratulations!

Posted by: BT | February 28, 2007 at 01:13 PM

Whoo! (I just waved my arms around in the air for you)

Posted by: Bookdwarf | February 28, 2007 at 01:23 PM

Congrats again!

Posted by: Keith | February 28, 2007 at 01:25 PM

Mark,

I know we have had our differences in the past (bit of an understatement) but I wanted to take a moment and congratulate you on the good news. I look forward to reading the book.

Posted by: Kevin Holtsberry | February 28, 2007 at 01:33 PM

Hurrah! The book sounds marvelous.

& how nice it is to get the chance to congratulate a friend who is always first in line to encourage & cheer others on. Great, well-deserved news!

Posted by: CAAF | February 28, 2007 at 01:42 PM

I am very happy for you, Mark! It is a well deserved success! Congratulations!

Posted by: Amy Bridges | February 28, 2007 at 01:45 PM

Fantastic news. I look forward to reading it.

Posted by: Dan Green | February 28, 2007 at 02:05 PM

Wow. Excellent! And such an inspiration to the rest of us toiling away. Whether it be years or months, it is possible if you keep at it. And, of course, if you're wildly talented, which you are. Cheers!

Posted by: callie | February 28, 2007 at 02:36 PM

I have to say: that blurb sounds good!

Posted by: Steven Augustine | February 28, 2007 at 02:53 PM

Congratulations. Fantastic.

Posted by: Max | February 28, 2007 at 03:09 PM

Hurrrrraaayyyyyyyy!!!!!!
Now I'm off to look up obsidian, and to introduce your blog to a bevy of Australian librarians tomorrow.
Absolutely fabulous news, Mark.

Posted by: genevieve | February 28, 2007 at 04:25 PM

this is so cool! Congratulations!! I'm buying a copy the instant it comes out.

Posted by: BikeProf | February 28, 2007 at 04:40 PM

nice one! come on over to books and books in miami and a cold or hot one is on me my friend and sage.

Posted by: cooms | February 28, 2007 at 04:42 PM

Sweeeet! can't wait to see the book next year at bookpeople my favorite bookstore in Austin, Texas

Posted by: Jerry Sticker | February 28, 2007 at 04:43 PM

I only know you through this blog, but I am thrilled for you.

Posted by: Frances | February 28, 2007 at 05:40 PM

Hooray! Congrats! Perfect, awesome, wonderful, and well-deserved. Hooray again!

Posted by: Carolyn | February 28, 2007 at 06:12 PM

Fantastic news, Mark! I'm looking forward to reading it and selling it. I'd love to know if the book will have Canadian rights, as well.
Congratulations.

Posted by: David | February 28, 2007 at 06:16 PM

Mark. I'm so happy for you! Fabulous news. Can't wait to read it.

Posted by: Miriam | February 28, 2007 at 06:37 PM

Yay!!!

Posted by: Anne | February 28, 2007 at 07:02 PM

Hip, hip, hooray! Mark's on his way!

Posted by: Kathy | February 28, 2007 at 07:29 PM

Gratulálok - nagyszerű!

Posted by: Sam | February 28, 2007 at 08:50 PM

Congratulations, Mark. I'm looking forward to reading it.

You missed a question in your anticipated questions list, though: "Can you introduce me to your agent?" You'll be hearing it a lot. Suggested response: "WTF is wrong with you?"

Posted by: mogolov | February 28, 2007 at 10:30 PM

Well done, Mark, and very best of luck for the future.

Posted by: Niall | March 01, 2007 at 01:39 AM

Ooh, wonderful news, Mark! Congratulations!!!

Posted by: Mary Akers | March 01, 2007 at 06:45 AM

Congrats!! I assume all of your blog readers can anticipate Advance Readers Copies of the novel, with free shipping, of course.

Posted by: Sean Ferrell | March 01, 2007 at 08:25 AM

I don't really know you or even the blog that well, but this news made my day. I couldn't be happier for you. This is just so great!

Posted by: Bill | March 01, 2007 at 08:36 AM

Brilliant! Hugely look forward to reading it. Please plug nearer pub. date to remind us! Tremendous news.

Posted by: Jody Tresidder | March 01, 2007 at 11:01 AM

Both my writing group and creative writing class are thrilled for you. I have introduced both to your wonderful blog.

Posted by: Helen | March 01, 2007 at 12:24 PM

Great news. The book sounds wonderful. And getting married too. Congrats. Since good things come in threes, I expect to see you on Oprah soon. But wait, a million copies aside, would that be a good thing?

Posted by: denise hamilton | March 01, 2007 at 02:12 PM

Really terrific news, Mark. Just saw the post about your sale on LA Observed, so came over here and further enjoyed your interview with...well....yourself on the subject. Congrats!

Posted by: Celeste Fremon | March 01, 2007 at 05:50 PM

Hey, that is so wonderful! Bravo!

Posted by: Caitlin | March 01, 2007 at 07:30 PM

I'm very proud of you buddy... and you deserve to be very, very proud of yourself. You've hung in there well and truly... distilling and refining your talent all the while.

Now you get to start putting that talent to more frequent, compensated use and I couldn't be happier for your success. You earned it, plain and simple.

I hope you and Kathy have a joyous wedding and a rapturous honeymoon. Revel in this good time, my friend... you did it!

Ned

Posted by: NV | March 01, 2007 at 11:37 PM

Wonderful news, all of it! I wish you and Mrs. TEV all happiness and success. Can't wait to read Harry, Revised.

Posted by: Michelle Huneven | March 02, 2007 at 08:26 AM

Hey Mark,

Sorry for the delayed congrats, but thrilled for you on this one!

Dan

Posted by: Dan Wickett | March 04, 2007 at 06:36 PM

Wow, Mark, Getting married and selling your book in the same week! I hope you've got this in your journal. It doesn't get much better than that. I look forward to reading your work when it comes out. Congrats again.

Posted by: Martha Southgate | March 05, 2007 at 08:03 AM

Wonderful news. Congratulations! Wendi

Posted by: thb | March 05, 2007 at 03:49 PM

Congrats Snarv. Bravo!!!

Posted by: Creaaaas | March 05, 2007 at 05:17 PM

Realized I forgot to say congratulations...congratulations. You have a deep love for writing I greatly admire, and I'm curious about your book!

Posted by: Kit Stolz | March 08, 2007 at 07:04 PM

I'm just catching up on everything after my tour and was so excited to find this news. Congratulations, Mark--I'm thrilled for you (and can't wait to read the book...)

xo
gayle

Posted by: Gayle Brandeis | March 12, 2007 at 09:53 AM

Congratulations, Mark! Super news!

Posted by: Hisham | March 14, 2007 at 01:54 AM

The comments to this entry are closed.

MY NOVEL

HARRY, REVISED - Get all the details here.

TOUR DATES

WORTHY READINGS

TEV DEFINED

The Elegant Variation is "Fowler’s (1926, 1965) term for the inept writer’s overstrained efforts at freshness or vividness of expression. Prose guilty of elegant variation calls attention to itself and doesn’t permit its ideas to seem naturally clear. It typically seeks fancy new words for familiar things, and it scrambles for synonyms in order to avoid at all costs repeating a word, even though repetition might be the natural, normal thing to do: The audience had a certain bovine placidity, instead of The audience was as placid as cows. Elegant variation is often the rock, and a stereotype, a cliché, or a tired metaphor the hard place between which inexperienced or foolish writers come to grief. The familiar middle ground in treating these homely topics is almost always the safest. In untrained or unrestrained hands, a thesaurus can be dangerous."

Nobility of Spirit: A Forgotten Ideal by Rob Riemen

This slim volume by the president and founder of the Nexus Institute, a European-based humanist think-tank, stands as the most stirring redoubt against the ascendant forces of know-nothingness that we've come across in a long time. A full-throated, unapologetic defense of the virtues of Western Civ – in which "elite" is not and never should be a dirty word – this inspiring exploration of high art and high ideals is divided into three sections: The first looks at the life of Riemen's great hero Thomas Mann as a model for the examined life. The second imagines a series of conversations from turning points in European intellectual history, populated with the likes of Socrates, Nietzsche and others. The final section, "Be Brave," is nothing less than an exhortation to dig deep, especially in times of risk. The notion of nobility of the spirit might strike some modern ears as quaint but it seems more desperately necessary than ever before, and there are worse ways to read the accessible Nobility of Spirit than as a crash refresher in the Great Thinkers, free of academic jargon and cant. As a meditation on what is at stake when the pursuit of high ideals is elbowed aside by the pursuit of fleeting material gain, however, Nobility of Spirit might well be the most prescient book we've yet read on what's at stake in the current election cycle and in the developing global situation. Agree or disagree with Riemen's profound, ambitious and high-minded plea, you will be thinking about his words for a long time. It's been ages since a work of non-fiction moved us this way. Read it. Discuss it. Argue about it.
Netherland by Joseph O'Neill

With rave reviews from James Wood, Michiko Kakutani and Dwight Garner, it might not seem like we need to tell you to drop everything and go read Netherland, but we are telling you, and here's why: The way book coverage works these days, everyone talks about the same book for about two or three weeks, and then they move on and the book is more or less forgotten. Whereas a berth here in the Recommended sidebar keeps noteworthy titles in view for a good, long time, which is the sort of sustained attention this marvelous novel deserves. A Gatsby-like meditation on exclusion and otherness, it's an unforgettable New York story in which the post 9/11 lives of Hans, a Dutch banker estranged from his English wife, and Chuck Ramkissoon, a mysterious cricket entrepreneur, intertwine. The New York City of the immigrant margins is unforgettably invoked in gorgeous, precise prose, and the novel's luminous conclusion is a radiant beacon illuminating one of our essential questions, the question of belonging. Our strongest possible recommendation.
Dictation: A Quartet by Cynthia Ozick

"History," wrote Henry James in a 1910 letter to his amanuensis Theodora Bosanquet, "is strangely written." This casual aside could easily serve as the epigraph of Cynthia Ozick's superb new collection Dictation, which concerns itself with lost worlds evoked by languages -- languages which separate and obscure as readily as they bind. It can be risky to look for connective tissue between stories written years apart and published in magazines ranging from The Conradian to The New Yorker. But themes of deception, posterity, and above all, the glory of language -- at once malleable and intractable -- knit together this quartet, recasting the whole as the harmonious product of Ozick's formidable talent. Read the entire review here
Diary of a Bad Year by J. M. Coetzee

Now, on the one hand, you scarcely need us to alert you to the existence of a new J.M. Coetzee novel, or even to have us tell you it's worth reading. But we can tell you - we insist on telling you that Diary of a Bad Year is a triumph, easily Coetzee's most affecting and fully wrought work since Disgrace. Formally inventive, the book intertwines two narratives with the author's own Strong Opinions, a series of seemingly discrete philosophical and political essays. The cumulative effect of this strange trio is deeply moving and thought provoking. It's increasingly rare in this thoroughly post-post-modern age to raise the kind of questions in fiction Coetzee handles so masterfully - right down to what is it, exactly, that we expect (or need) from our novels. It's telling that, for all of his serious pronouncements on subjects ranging from censorship to pedophilia to the use of torture, it's finally a few pages from The Brothers Karamazov that brings him to tears. Moving, wise and - how's this for a surprise - funny and lightly self-mocking, Diary of a Bad Year might well be the book of the year and Coetzee is surely our essential novelist. We haven't stopped thinking about it since we set it down.
The Indian Clerk by David Leavitt

David Leavitt's magnificent new novel tells the story of the unlikely friendship between the British mathematician G.H. Hardy and Srinivasa Ramanujan, mathematical autodidact and prodigy who had been working as a clerk in Madras, and who would turn out to be one of the great mathematical minds of the century. Ramanujan reluctantly joined Hardy in England - a move that would ultimately prove to his detriment - and the men set to work on proving the Riemann Hypothesis, one of mathematics' great unsolved problems. The Indian Clerk, an epic and elegant work which spans continents and decades, encompasses a World War, and boasts a cast of characters that includes Bertrand Russell, Ludwig Wittgenstein and Lytton Strachey. Leavitt renders the complex mathematics in a manner that resonates emotionally as well as intellectually, and writes with crystalline elegance. The metaphor of the prime number – divisible only by one and itself – is beautifully apt for this tale of these two isolated geniuses. Leavitt's control of this dense, sprawling material is impressive – astonishing, at times – and yet despite its scope, he keeps us focused on his great themes of unknowability and identity. The Indian Clerk might be set in the past but it doesn't resemble most so-called "historical fiction." Rather, it's an ageless meditation on the quests for knowledge and for the self – and how frequently the two are intertwined – that is, finally, as timeless as the music of the primes. (View our full week of coverage here.)
Then We Came to the End by Joshua Ferris

Joshua Ferris' warm and funny debut novel is an antidote to the sneering likes of The Office and Max Barry's Company. Treating his characters with both affection and respect, Ferris takes us into a Chicago ad agency at the onset of the dot-bomb. Careers are in jeopardy, nerves are frayed and petty turf wars are fought. But there are bigger stakes in the balance, and Ferris' weirdly indeterminate point of view that's mostly first person plural, underscores the shared humanity of everyone who has ever had to sit behind a desk. It's a luminous, affecting debut and you can read the first chapter right here.
Christine Falls by Benjamin Black

Coming to these shores at last, John Banville's thriller, written under the nom de plume Benjamin Black, has drawn rave reviews across the pond since it first appeared last October. Those who feared Banville might turn in an overly literary effort needn't worry. Influenced by Simenon's romans durs (hard stories), Banville unspools a dark mystery set in 1950s Dublin concerning itself with, among other things, the church's trade in orphans. At the heart of the book is the coroner Quirke, a Banvillean creation on par with Alex Cleave and Freddie Montgomery. Dublin is rendered with a damp, creaky specificity – you can almost taste the whisky.
The Paris Review Interviews, I by The Paris Review and Philip Gourevitch

Scanning our Recommended selections, one might conclude we're addicted to interviews, and one would be correct. If author interviews are like crack to us, then the Paris Review author interviews must surely be the gold standard of crack (a comparison Plimpton might not have embraced). The newly issued The Paris Review Interviews, Volume I (Picador) rolls out the heavy hitters. Who can possibly turn away from the likes of Saul Bellow, T.S. Eliot, Ernest Hemingway, Jorge Luis Borges, Dorothy Parker, Robert Gottlieb and others? The interviews are formal and thoughtful but never dry and can replace any dozen "how-to" books on writing. What can be more comforting than hearing Bellow, answering a question on preparations and conception, admit "Well, I don't know exactly how it's done.” The best part of this collection? The "Volume I" in the title, with its promise of more volumes to come.
The Dead Fish Museum: Stories by Charles D'Ambrosio

The best short story collection we've read since ... well, certainly since we've started this blog. And we might even say "ever" if Dubliners didn't cast such a long shadow. The short story is not our preferred form but D'Ambrosio's eight brilliant stories are almost enough to convert us. Defy the conventional wisdom that short story collections don't sell and treat yourself to this marvel. (We're especially partial, naturally, to "Screenwriter".)
The Mystery Guest by Grégoire Bouillier
*Now in Paperback*

What would you do if the woman who’d left you high and dry ten years ago called out of the blue to invite you to a party without any further explanation? If you’re French, you’d probably spend a lot of time pondering the Deeper Significance Of It All, which is exactly what Grégoire Bouillier does for the 120 hilarious pages of The Mystery Guest. This slim, witty memoir follows Bouillier through the party from hell, and is a case study in Gallic self-abasement. Before it’s all done, you’ll set fire to any turtleneck hanging in your closet and think twice before buying an expensive Bordeaux as a gift. But fear not – just when it seems that all is, indeed, random and pointless and there is no Deeper Significance, salvation arrives in the unlikely form of Virginia Woolf, and the tale ends on a note of unforced optimism. Parfait.
Ticknor by Sheila Heti

When George Ticknor's Life of William Hickling Prescott was published in 1864, it received rapturous notices, and reviewers were quick to point out that the long-standing friendship between Prescott and Ticknor made the latter an ideal Boswell. Sheila Heti has pulled this obscure leaf from the literary archives and fashioned a mordantly funny anti-history; a pungent and hilarious study of bitterness and promise unfulfilled. As a fretful Ticknor navigates his way through the rain-soaked streets of Boston to Prescott's house ("But I am not a late man. I hate to be late."), he recalls his decidedly one-sided lifelong friendship with his great subject. Unlike the real-life Ticknor, this one is an embittered also-ran, full of plans and intentions never realized, always alive to the fashionable whispers behind his back. Heti seamlessly inhabits Ticknor's fussy 19th-century diction with a feat of virtuoso ventriloquism that puts one in mind of The Remains of the Day. Heti's Ticknor would be insufferable if he weren't so funny, and in the end, the black humor brings a leavening poignancy to this brief tale. But don't let the size fool you — this 109-page first novel is small but scarcely slight; it is as dense and textured as a truffle.
The Believer Book of Writers Talking to Writers by Vendela Vida

No, your eyes aren't deceiving you and yes, we are recommending a Believer product. Twenty-three interviews (a third presented for the first time) pairing the likes of Zadie Smith with Ian McEwan, Jonathan Lethem with Paul Auster, Edward P. Jones and ZZ Packer, and Adam Thirwell with Tom Stoppard make this collection a must-read. Lifted out of the context of some of the magazine's worst twee excesses, the interviews stand admirably on their own as largely thoughtful dialogues on craft. A handful of interviewers seem more interested in themselves than in their subjects but in the main this collection will prove irresistible to writers of any stripe - struggling or established - and to readers seeking a window into the creative process.
The Sea by John Banville

John Banville's latest novel returns him to the Booker Prize shortlist for the first time since 1989's The Book of Evidence. In The Sea, we find Banville in transition, moving from the icy, restrained narrators of The Untouchable, Eclipse and Shroud toward warmer climes. Max Morden has returned to the vacation spot of his youth as he grieves the death of his wife. Remembering his first, fatal love, Morden works to reconcile himself to his loss. Banville's trademark linguistic virtuosity is everpresent but some of the chilly control is relinquished and Max mourns and rages in ways that mark a new direction for Banville - and there's at least one great twist which you'll never see coming. Given the politicized nature of the British literary scene, Banville's shot at the prize might be hobbled by his controversial McEwan review but we're rooting for our longtime favorite to go all the way at last. UPDATE: Our man won!
Here Is Where We Meet by John Berger

We've been fans of Booker Prize winner John Berger for ages, and we're delighted to have received an early copy of his latest work, Here is Where We Meet. In this lovely, elliptical, melancholy "fictional memoir," Berger traverses European cities from Libson to Geneva to Islington, conversing with shades from his past – He encounters his dead mother on a Lisbon tram, a beloved mentor in a Krakow market. Along the way, we're treated to marvelous and occasionally heart-rending glimpses of an extraordinary life, a lyrical elegy to the 20th century from a man who - in his eighth decade - remains committed to his political beliefs and almost childlike in his openness to people, places and experiences. There's no conventional narrative here, and those seeking plot are advised to look elsewhere. But Here is Where We Meet offers a wise, moving and poetic look at the life of an artist traversing the European century from a novelist whose talent remains undimmed in his twilight years.
Home Land by Sam Lipsyte

In his recent TEV guest review of Home Land, Jim Ruland called Sam Lipsyte the "funniest writer of his generation," and we're quite inclined to agree. We tore through Home Land in two joyful sittings and can't remember the last time we've laughed so hard. Lipsyte's constellation of oddly sympathetic losers is rendered with a sparkling, inspired prose style that's sent us off in search of all his prior work. In Lewis Miner's (a.k.a Teabag) woeful epistolary dispatches to his high school alumni newsletter ("I did not pan out."), we find an anti-hero for the age. Highly, highly recommended.

THIS GUN FOR HIRE:
Reviews & Criticism

SECOND LOOK

The Bookshop by Penelope Fitzgerald

Penelope Fitzgerald's second novel is the tale of Florence Green, a widow who seeks, in the late 1950s, to bring a bookstore to an isolated British town, encountering all manner of obstacles, including incompetent builders, vindictive gentry, small minded bankers, an irritable poltergeist, but, above all, a town that might not, in fact, want a bookshop. Fitzgerald's prose is spare but evocative – there's no wasted effort and her work reminds one of Hemingway's dictum that every word should fight for its right to be on the page. Florence is an engaging creation, stubbornly committed to her plan even as uncertainty regarding the wisdom of the enterprise gnaws at her. But The Bookshop concerns itself, finally, with the astonishing vindictiveness of which provincials are capable, and, as so much English fiction must, it grapples with the inevitabilities of class. It's a dense marvel at 123 pages, a book you won't want to – or be able to – rush through.
The Rider by Tim Krabbe

Tim Krabbé's superb 1978 memoir-cum-novel is the single best book we've read about cycling, a book that will come closer to bringing you inside a grueling road race than anything else out there. A kilometer-by-kilometer look at just what is required to endure some of the most grueling terrain in the world, Krabbé explains the tactics, the choices and – above all – the grinding, endless, excruciating pain that every cyclist faces and makes it heart-pounding rather than expository or tedious. No writer has better captured both the agony and the determination to ride through the agony. He's an elegant stylist (ably served by Sam Garrett's fine translation) and The Rider manages to be that rarest hybrid – an authentic, accurate book about cycling that's a pleasure to read. "Non-racers," he writes. "The emptiness of those lives shocks me."

The Elegant Variation

A Literary Weblog.
A Guardian Top 10 Literary Blog * A Forbes "Best of the Web" Pick * A Los Angeles Magazine Top Los Angeles Blog
"Really brave ... or really stupid" - NPR

February 28, 2007

APRIL 29, 2003 - FEBRUARY 21, 2007

Comments

MY NOVEL

WORTHY READINGS

TEV DEFINED

RECOMMENDED

THIS GUN FOR HIRE:
Reviews & Criticism

SECOND LOOK

Categories

The Elegant Variation

A Literary Weblog. A Guardian Top 10 Literary Blog * A Forbes "Best of the Web" Pick * A Los Angeles Magazine Top Los Angeles Blog "Really brave ... or really stupid" - NPR

February 28, 2007

APRIL 29, 2003 - FEBRUARY 21, 2007

Comments

MY NOVEL

WORTHY READINGS

TEV DEFINED

RECOMMENDED

THIS GUN FOR HIRE: Reviews & Criticism

SECOND LOOK

Categories

A Literary Weblog.
A Guardian Top 10 Literary Blog * A Forbes "Best of the Web" Pick * A Los Angeles Magazine Top Los Angeles Blog
"Really brave ... or really stupid" - NPR

THIS GUN FOR HIRE:
Reviews & Criticism