« WHAT WE TALK ABOUT WHEN WE TALK ABOUT CHANGE (PART 2) | Main | L.A.'s INDIES »

May 17, 2007

Comments

Sarah

Dennis Johnson had the same idea 5 years ago: http://www.mobylives.com/Limning_Kakutani.html

K.G. Schneider

It must be in her contract, just as there must be a rule that every issue of the NYTBR uses the word "brio" at least once.

Ken

Blame it on the fricking Limn-Council. Ever since the '00 election, where they donated at the Ranger level, it's been the high-fructose corn syrup of book review verbs. I noticed it popping up in the blurbs on my kids' Scholastic Books order forms.

Jimmy Beck

Sigh. I love her.

TEV

2002? Was anyone reading blogs then? (I wasn't, so forgive the duplication.)

Jim

Reminds of when Frank Gifford was in the booth at Monday Night Football and someone pointed out that the Old Trojan opined "This is a real hard-hitting football game" every single game. He never said it again.

Paul

There's one word Ms Kakutani uses twice as often as 'limn,' and it's 'dazzling.'

--Limn/-ed/-ing = 70ish times since 1985
--Dazzling = 150ish times since 1981

Kevin

There was a great "NB" column in the Times Literary Supplement a few months ago proposing a retirement of "limn" from their reviews.

Anna Clark

That's fucking hysterical.

Celia Hayes

(scribbling serious note to self)
Avoid depending on verbal crutches....

Sarah

Equally annoying is Michiko's overuse of "stunning" and "dazzling" whenever she wants to praise a book.

Lyn Lejeune

There limn and then I also grow weary of book reviews with "spare language." It all leads one to think that there must be a program for reviewers. Put in the title, a couple of character names, a plot (usually provided by the PR department of the publisher), place. There you go. Then fill in a few more blanks and there is your book review.

Poornima

This is too funny!

Brought back memories of a good segment on NPR's Fresh Air by linguist Geoffrey Nunberg on use of the word "roil."

After I heard that segment years ago, I still see the word pop up everywhere -- even in fiction. And no, I don't read Gothic romances or porn which are the only places Nunberg says he sees the word spring up in fiction.

Here's a link to the piece. Makes for a good read:

http://www.ischool.berkeley.edu/~nunberg/roil.html

BlogDog

She went out on a limn and you sawed it off.
Or:
She might need to see a prosthetics specialist for a new limn.

The comments to this entry are closed.

TEV DEFINED


  • The Elegant Variation is "Fowler’s (1926, 1965) term for the inept writer’s overstrained efforts at freshness or vividness of expression. Prose guilty of elegant variation calls attention to itself and doesn’t permit its ideas to seem naturally clear. It typically seeks fancy new words for familiar things, and it scrambles for synonyms in order to avoid at all costs repeating a word, even though repetition might be the natural, normal thing to do: The audience had a certain bovine placidity, instead of The audience was as placid as cows. Elegant variation is often the rock, and a stereotype, a cliché, or a tired metaphor the hard place between which inexperienced or foolish writers come to grief. The familiar middle ground in treating these homely topics is almost always the safest. In untrained or unrestrained hands, a thesaurus can be dangerous."

SECOND LOOK

  • The Bookshop by Penelope Fitzgerald

    Bs

    Penelope Fitzgerald's second novel is the tale of Florence Green, a widow who seeks, in the late 1950s, to bring a bookstore to an isolated British town, encountering all manner of obstacles, including incompetent builders, vindictive gentry, small minded bankers, an irritable poltergeist, but, above all, a town that might not, in fact, want a bookshop. Fitzgerald's prose is spare but evocative – there's no wasted effort and her work reminds one of Hemingway's dictum that every word should fight for its right to be on the page. Florence is an engaging creation, stubbornly committed to her plan even as uncertainty regarding the wisdom of the enterprise gnaws at her. But The Bookshop concerns itself, finally, with the astonishing vindictiveness of which provincials are capable, and, as so much English fiction must, it grapples with the inevitabilities of class. It's a dense marvel at 123 pages, a book you won't want to – or be able to – rush through.
  • The Rider by Tim Krabbe

    Rider_4

    Tim Krabbé's superb 1978 memoir-cum-novel is the single best book we've read about cycling, a book that will come closer to bringing you inside a grueling road race than anything else out there. A kilometer-by-kilometer look at just what is required to endure some of the most grueling terrain in the world, Krabbé explains the tactics, the choices and – above all – the grinding, endless, excruciating pain that every cyclist faces and makes it heart-pounding rather than expository or tedious. No writer has better captured both the agony and the determination to ride through the agony. He's an elegant stylist (ably served by Sam Garrett's fine translation) and The Rider manages to be that rarest hybrid – an authentic, accurate book about cycling that's a pleasure to read. "Non-racers," he writes. "The emptiness of those lives shocks me."