« FIGHTING WORDS | Main | WEDNESDAY MARGINALIA - DELUXE "BACK IN THE SADDLE AGAIN" EDITION »

October 01, 2008

BANVILLE GOES ONLINE

John Banville has published the first chapter of The Sinking City, his new novel in progress, online at The Manchester Review.  We believe he's the first Booker Prize winner to freely preview his work in progress in this fashion.  Here's the beginning:

Venice. Forty years ago, more. It is wintertime and La Serenissima’s vaunted charms are all crazed over by the cold. There are caps of snow on the bronze horses outside St Mark’s and a freezing mist is suspended over the canals, under the quaint toy bridges. Adam is sitting in a restaurant, at a corner table upstairs, with a view across the lagoon to where the wedding-cake façade of a white church which he should know the name of gleams eerily through the midday murk. In some corner of the low-slung sky a weak sun is shining and each wavelet of the leaden canal waters is tipped with a spur of sullen silver-yellow light. He eats lamb chops and drinks a melony tokai from Friuli — today he recalls that wine as if he were tasting it again, the tawny flash and oily sway of it in the glass, the sour-sweet tang of the fat late grape. He is grieving for his wife, recently dead. Grief is an enormous globe that has been thrust unceremoniously into his arms, he totters under the unmanageable greasy weight of it. Thus burdened he has fled to the sinking city where there is no one who knows him and he knows no one.

Posted at 10:53 AM in Obsessions |

| | Pin It! | |

Comments

The comments to this entry are closed.

TEV DEFINED


  • The Elegant Variation is "Fowler’s (1926, 1965) term for the inept writer’s overstrained efforts at freshness or vividness of expression. Prose guilty of elegant variation calls attention to itself and doesn’t permit its ideas to seem naturally clear. It typically seeks fancy new words for familiar things, and it scrambles for synonyms in order to avoid at all costs repeating a word, even though repetition might be the natural, normal thing to do: The audience had a certain bovine placidity, instead of The audience was as placid as cows. Elegant variation is often the rock, and a stereotype, a cliché, or a tired metaphor the hard place between which inexperienced or foolish writers come to grief. The familiar middle ground in treating these homely topics is almost always the safest. In untrained or unrestrained hands, a thesaurus can be dangerous."

SECOND LOOK

  • The Bookshop by Penelope Fitzgerald

    Bs

    Penelope Fitzgerald's second novel is the tale of Florence Green, a widow who seeks, in the late 1950s, to bring a bookstore to an isolated British town, encountering all manner of obstacles, including incompetent builders, vindictive gentry, small minded bankers, an irritable poltergeist, but, above all, a town that might not, in fact, want a bookshop. Fitzgerald's prose is spare but evocative – there's no wasted effort and her work reminds one of Hemingway's dictum that every word should fight for its right to be on the page. Florence is an engaging creation, stubbornly committed to her plan even as uncertainty regarding the wisdom of the enterprise gnaws at her. But The Bookshop concerns itself, finally, with the astonishing vindictiveness of which provincials are capable, and, as so much English fiction must, it grapples with the inevitabilities of class. It's a dense marvel at 123 pages, a book you won't want to – or be able to – rush through.
  • The Rider by Tim Krabbe

    Rider_4

    Tim Krabbé's superb 1978 memoir-cum-novel is the single best book we've read about cycling, a book that will come closer to bringing you inside a grueling road race than anything else out there. A kilometer-by-kilometer look at just what is required to endure some of the most grueling terrain in the world, Krabbé explains the tactics, the choices and – above all – the grinding, endless, excruciating pain that every cyclist faces and makes it heart-pounding rather than expository or tedious. No writer has better captured both the agony and the determination to ride through the agony. He's an elegant stylist (ably served by Sam Garrett's fine translation) and The Rider manages to be that rarest hybrid – an authentic, accurate book about cycling that's a pleasure to read. "Non-racers," he writes. "The emptiness of those lives shocks me."

Categories

Subscribe to this blog's feed