« THE EAGLE HAS LANDED | Main | MONDAY MARGINALIA »

July 24, 2009

Comments

CKH

I haven't read this biography. I would be curious to know how the Indian Removal Act is treated in this book. For many Native Americans, Jackson was the worst president. He was responsible, ultimately, for the Trail of Tears--the genocide of the Cherokee--among others. Although Americans can't seem to bring themselves to understand it, being "fascinated" with Jackson is like being fascinated with Hitler in this context.

Jenny WOolf

As a biographer,I am always fascinated by the way that historical figures related to lifestyles that were unimaginably different from today's. It is not surprising that their behaviour did not fit modern paradigms

What would Jackson have been like today? He wouldn't have done the same things, because he wouldn't have faced the same situations and the same challenges. For this reason I don't think he can be viewed (or disapproved of) as if he were a modern person.

Of course we can have personal views about whether or not we'd have liked / approved of him, but if he had lived now he would have been too different for us to conjecture about.

Niall

Jenny -

I don't really understand your comment. WHy is it at all important to be able to imagine what historical figues would be like if they lived today? And why would that "fact" somehow deflect criticism of how they actually lived and what they actually did when they were alive?

If Torquemada were alive today, he'd probably be selling mattresses at a discount store. So? That in no way alters our ability to judge the actual man in history.

You response also assumes, soto voce, that Jackson's treatment of the Indians was, given the mores of his time, uncriticizable by his contemporaries. That, against the background of the culture of his time, it would have been impossible to see how he acted as wrong. But this is a demonstrably false clasim. There certainly were those in Jackson's day who saw his treatment of the Indians as criminal and immoral. We don't have to project our modern ethics back into Jackson's time to reach that conclusion. Las Casas has never lacked for followers in the New WOrld, even if their voices were not always decisisve when it came to action and policy.

Dorothy Thompson

Thanks for hosting Jon on his virtual book tour today, Mark! And hope you feel better!

cheap kid furniture

This is so beautiful and creative. I just love the colors and whoever gets it in the mail will be smiling.

The comments to this entry are closed.

TEV DEFINED


  • The Elegant Variation is "Fowler’s (1926, 1965) term for the inept writer’s overstrained efforts at freshness or vividness of expression. Prose guilty of elegant variation calls attention to itself and doesn’t permit its ideas to seem naturally clear. It typically seeks fancy new words for familiar things, and it scrambles for synonyms in order to avoid at all costs repeating a word, even though repetition might be the natural, normal thing to do: The audience had a certain bovine placidity, instead of The audience was as placid as cows. Elegant variation is often the rock, and a stereotype, a cliché, or a tired metaphor the hard place between which inexperienced or foolish writers come to grief. The familiar middle ground in treating these homely topics is almost always the safest. In untrained or unrestrained hands, a thesaurus can be dangerous."

SECOND LOOK

  • The Bookshop by Penelope Fitzgerald

    Bs

    Penelope Fitzgerald's second novel is the tale of Florence Green, a widow who seeks, in the late 1950s, to bring a bookstore to an isolated British town, encountering all manner of obstacles, including incompetent builders, vindictive gentry, small minded bankers, an irritable poltergeist, but, above all, a town that might not, in fact, want a bookshop. Fitzgerald's prose is spare but evocative – there's no wasted effort and her work reminds one of Hemingway's dictum that every word should fight for its right to be on the page. Florence is an engaging creation, stubbornly committed to her plan even as uncertainty regarding the wisdom of the enterprise gnaws at her. But The Bookshop concerns itself, finally, with the astonishing vindictiveness of which provincials are capable, and, as so much English fiction must, it grapples with the inevitabilities of class. It's a dense marvel at 123 pages, a book you won't want to – or be able to – rush through.
  • The Rider by Tim Krabbe

    Rider_4

    Tim Krabbé's superb 1978 memoir-cum-novel is the single best book we've read about cycling, a book that will come closer to bringing you inside a grueling road race than anything else out there. A kilometer-by-kilometer look at just what is required to endure some of the most grueling terrain in the world, Krabbé explains the tactics, the choices and – above all – the grinding, endless, excruciating pain that every cyclist faces and makes it heart-pounding rather than expository or tedious. No writer has better captured both the agony and the determination to ride through the agony. He's an elegant stylist (ably served by Sam Garrett's fine translation) and The Rider manages to be that rarest hybrid – an authentic, accurate book about cycling that's a pleasure to read. "Non-racers," he writes. "The emptiness of those lives shocks me."