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March 03, 2012

Comments

Rob Schackne

Ah Mark...but for influence wielded upon the popular imagination, a squabble with the mean-spirited TP would be as far beneath you as the Jainian microbes. (Still, a man has got to defend himself against scurrilousness.) Perhaps better is a good timely swoosh of a broad Taoist horsehair whisk, clearing the path ahead of meaningless illusion, the air before us of unseen delusions? Cheers. Keep up the great work. Rob Schackne

Raymond Cothern

Yeah. What Rob said.

Shelley

First I've heard about Slate using TV reviewers for books.

That's apples and oranges. That's too bad.

Niall

It's not a bad thing to have a long memory.

jose

Nice blog! i have another one where i speak about spanish literature, culture and places, in english. The name of my blog is In a village of La Mancha (villagemancha.blogspot.com)

Kathy U

Attacked hot fudge sundae, =) made me laugh..

Francesco Sinibaldi

Softly your memory...

Like a
luminous flower
your delicate
sadness returns
near a white
dream....

Francesco Sinibaldi

Niall

So basically novels are too trivial to get upset about. Talk about a left-handed compliment!

Francesco Sinibaldi

The first singing.

Somewhere
the soft wind
becomes an
experience
that calls
the desire of
an inner
intention.

Francesco Sinibaldi

Přečtizamě

I absolutely agree with Niall.

Susan Malter

You made me smile. I am going to try to pick up a copy of Harry today.

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TEV DEFINED


  • The Elegant Variation is "Fowler’s (1926, 1965) term for the inept writer’s overstrained efforts at freshness or vividness of expression. Prose guilty of elegant variation calls attention to itself and doesn’t permit its ideas to seem naturally clear. It typically seeks fancy new words for familiar things, and it scrambles for synonyms in order to avoid at all costs repeating a word, even though repetition might be the natural, normal thing to do: The audience had a certain bovine placidity, instead of The audience was as placid as cows. Elegant variation is often the rock, and a stereotype, a cliché, or a tired metaphor the hard place between which inexperienced or foolish writers come to grief. The familiar middle ground in treating these homely topics is almost always the safest. In untrained or unrestrained hands, a thesaurus can be dangerous."

SECOND LOOK

  • The Bookshop by Penelope Fitzgerald

    Bs

    Penelope Fitzgerald's second novel is the tale of Florence Green, a widow who seeks, in the late 1950s, to bring a bookstore to an isolated British town, encountering all manner of obstacles, including incompetent builders, vindictive gentry, small minded bankers, an irritable poltergeist, but, above all, a town that might not, in fact, want a bookshop. Fitzgerald's prose is spare but evocative – there's no wasted effort and her work reminds one of Hemingway's dictum that every word should fight for its right to be on the page. Florence is an engaging creation, stubbornly committed to her plan even as uncertainty regarding the wisdom of the enterprise gnaws at her. But The Bookshop concerns itself, finally, with the astonishing vindictiveness of which provincials are capable, and, as so much English fiction must, it grapples with the inevitabilities of class. It's a dense marvel at 123 pages, a book you won't want to – or be able to – rush through.
  • The Rider by Tim Krabbe

    Rider_4

    Tim Krabbé's superb 1978 memoir-cum-novel is the single best book we've read about cycling, a book that will come closer to bringing you inside a grueling road race than anything else out there. A kilometer-by-kilometer look at just what is required to endure some of the most grueling terrain in the world, Krabbé explains the tactics, the choices and – above all – the grinding, endless, excruciating pain that every cyclist faces and makes it heart-pounding rather than expository or tedious. No writer has better captured both the agony and the determination to ride through the agony. He's an elegant stylist (ably served by Sam Garrett's fine translation) and The Rider manages to be that rarest hybrid – an authentic, accurate book about cycling that's a pleasure to read. "Non-racers," he writes. "The emptiness of those lives shocks me."